Showing posts with label Toronto Ward Museum. Show all posts
Showing posts with label Toronto Ward Museum. Show all posts

27 November 2020

UPCOMING ONLINE EVENTS TO KEEP YOU INSPIRED

Friday Special | Erika Serodio

As Toronto settles into this new phase of pandemic lockdown, we hope you're finding ways to stay engaged and inspired in the museum world. Here are a few free events you can attend from home in the coming weeks. Stay strong, friends. There are so many real world museum experiences waiting for us on the other side. In the meantime...



Saturday, November 28th, 6:00 to 8:00 PM — Beyond the Block: A Celebration

The final event in a digital series presented by the Toronto Ward Museum will feature live music, spoken word performances, a live trivia game, and video storytelling.

Register here

Toronto Sculpture Garden | Source


Tuesday, December 1st, 1:15 to 3:00 PM —Becoming Public Art: Temporary Programming

After a historical presentation on the Toronto Sculpture Garden, major voices in temporary public art programming will discuss the significance of the project and its impact on projects that came after it.

Register here



Wednesday, December 2nd, 1:00 to 2:00 PM —Where is the love? 

The Oxford Research Centre in the Humanities (TORCH) has brought three artists and researchers together to discuss the exhibition Losing Venus. Through this exhibition, they will consider how ethnographic museum collections can bring emotion, intimacy, care, and love into their work. 

Register here



Thursday, December 3rd, 7:30 to 9:00 PM — A Virtual “Music in the Museum”

The American University Museum at the Kaizen Arts Centre will be live streaming an iconic bytebeat duo performance between Washington, DC and Toronto.

Register here



Friday, December 4th, 9:00 to 10:00 PM — DISplace Curator’s Talk

The Five Oaks Museum provides a platform for culturally embedded storytelling with this conversation between curators who will share personal stories alongside the research of this online exhibition.

Register here



Sunday, December 6th, 4:00 to 5:00 PM — Counter Attack: Artists and Curators Creating Change

New Wave brings together four artists and curators to discuss the roles they play in challenging dominant cultural narratives and institutional practices. 

Register here

Abstract Work by Rothko | Source


Tuesday, December 8th, 7:00 to 8:00 PM — Driven to Abstraction: A Panel Discussion on Art & Authenticity in Practice

Join what is sure to be a lively discussion with art world experts who will discuss the recent documentary Driven to Abstraction which looks at an $80 million forgery scandal in a New York City gallery.

Register here



Friday, December 11th, 9:00 to 11:00 AM — Museums and Digital Culture after the Pandemic

This online symposium will look at how museums adapted to changes during the pandemic and what the new future of digital will look like in museums after the pandemic.

Register here





10 February 2018

WOMEN IN DIALOGUE: REFLECTIONS FROM THE WOMEN IN LEADERSHIP PANEL

WEEKEND EDITION

BY: AMY INTRATOR AND KATHLEEN LEW

Full crowd at MUSSA's Women in Leadership Panel. Photo courtesy of Charlotte Gagnier. 
This Friday, the Museum Studies Student Association (MUSSA) hosted its first ever Women in Leadership panel at the iSchool. The panel was made up of four women with vastly different leadership experience in museums. The panelists were Gäetane Verna (Director of the Power Plant Contemporary Art Gallery), Shelley Falconer (President and CEO of the Art Gallery of Hamilton), Dara Solomon (Executive Director of the Ontario Jewish Archives), and Gracia Dyer Jalea (Co-Founder and Executive Director of the Toronto Ward Museum). The panelists engaged in an insightful and inspirational dialogue about the challenges, successes, and future of museum work. The iSchool was the perfect location to host this panel, as currently, 87% of Museum Studies and CRO students identify as female. In today’s special Weekend Edition, Kathleen Lew (She’s My Muse) and Amy Intrator (Beyond Tradition) are continuing the dialogue and reflecting on the panel.

Source.
KL: Before we dive into the panel content, let’s take a moment and appreciate how cool it is to hear a group of powerful women speak collectively about a field that many of us are pursuing. We can gain so much from hearing leaders build on each other’s ideas, creating a conversational approach to women's’ leadership. 

AI: I loved that the panel really felt like a dialogue. There wasn’t one woman explaining what it meant to be successful in the field, instead we got to hear about so many different perspectives on what it means to be a woman in a leadership position. That being said, despite all the differences between the speakers’ experiences, I was so amazed that all four women seemed to find common ground in a lot of their challenges in the field. 

Shelley Falconer quoting Tina Fey. Photo Courtesy of Charlotte Gagnier. 
KL: Yeah I agree, dialogue is crucial when grappling with critical issues in our field. Women are complex individuals, and change cannot come from just one voice. We need many intersectional insights to better support all women in the museum field. I think it is really important that the panel made space for different perspectives, and I’m glad we can carry the conversation over to Musings.

AI: Absolutely! Every one of the four panelists talked about the importance of dialogue and collaboration with other professionals. Falconer even mentioned that in her experience, women tend to be more collaborative than men in the workplace. The women all attributed their successes, in part, to their support networks, but that being said, they also spoke passionately about the need to make space for yourself when support isn’t readily available.

KL: Another great example is when Jalea spoke eloquently about the values of the Ward Museum, an institution that strives to make space for those who are marginalized from dominant histories. With this work, Jalea realized that advocating and making space for herself as a professional is important as well. Jalea did not see the position that she wanted in the museum field, so she co-founded a museum, making her own opportunities. Verna had similar points when she spoke about negotiating salary. Verna was informed and confident in the facts of what she would bring to the institution, and she was not afraid to ask directly for what she deserved.


AI: The similarities between Jalea and Verna’s experiences are amazing! Although the women were advocating for themselves in such different settings, there is so much overlap in how they dealt with being underestimated and undervalued. There were a lot of sympathetic nods and laughs between panelists throughout the panel! Overall, I got the impression that these women shared the opinion that being a woman in no way undermines their ability to be a strong leader. In fact, a lot of the anecdotes seemed to prove that challenges like motherhood actually strengthened these women as leaders, like Jalea’s statement that she is more attuned to her work because of her children. Talk about empowering!

Gäetane Verna (left) and Gracia Dyer Jalea (right). Photo Courtesy of Charlotte Gagnier. 

KL: Another sympathetic nod (and sassy snap) moment was Verna’s powerful reminder that men do not constantly justify their actions the way that women tend to in professional settings. If men do not apologize for their ideas, than why should we? Verna decided she was only going to apologize when she was at fault, rather than feeling she needed to prove her intelligence to her colleagues. This statement really resonated with my own tendencies, as gendered power often makes me feel the need to apologize for asserting my voice. Great advice was flowing freely on Friday, what else can we gain as emerging professionals from the conversation?

AI: The panelists shared so much valuable advice for young professionals entering the field. The speakers left me thinking about the importance of professionalism, entrepreneurship, and risk-taking in the museum field today.

KL: It all starts with a dialogue, but what’s next? The four panelists had some great insights for the future of the museum sector, and I can't wait to see what they continue to accomplish. I think this panel was a great start to future conversations about women's leadership at the Master of Museum Studies program. I hope MUSSA will have more great panels, because our future careers can be positively shaped by the insights of accomplished professionals.

With that, let’s continue the dialogue beyond the panel (and blog post), and turn words into action at the museum.

Women in Leadership panelists and Serena Ypelaar (left), Musings Editor-in-Chief, as moderator. Photo Courtesy of Charlotte Gagnier.

21 July 2017

MMSt 2017 INTERNSHIPS: PART FIVE

INTERNSHIP CHECK-IN

BY: TABITHA CHAN

Hi everyone! This is the last internship check-in post. Can you believe it? I hope everyone has enjoyed learning about other students' internships. For those of you who are nearing the end of your experiences - make the most of the time you have left!

Today's post features:

Susan Jama: Toronto Ward Museum - Toronto, ON
Maeghan Jerry: Aurora Museum & Archives - Aurora, ON
Cassy Kist: Smithsonian's National Museum of Natural History - Washington, DC
Tanya McCullough: Penn Museum - Philadelphia, PA
Emily Welsh: Ontario Science Centre - Toronto, ON

Describe what a typical day is like for you at your institution. What are some of your main duties and responsibilities?

Susan: 
Part of my daily routine, I begin my day with checking in my workback plan or Ganett chart to check the expected due dates of my assigned tasks. My primary responsibilities and duties include managing TWM’s social media, performing administrative tasks, curatorial research, providing public programming support, organizing the Block by Block Party and leading Programming Committee meeting.

Maeghan: Days at AM&A have been really varied. June was a really busy month for us, with the launch of our website, the opening of our summer exhibit, and the launch of an online exhibit with an associated community event hosted by us, on top of the usual responsibilities of the museum and archives. I am usually one of the first people into the office, so I try to do desk work for the first hour of my day (brainstorming and writing for our weekly column in the local paper, researching for reference requests, etc.). Then depending on what’s a priority that day or week I might be working anywhere: accessioning materials in the office, inventorying and reorganizing in the collections rooms, monitoring the environment in off-site storage locations, installing temporary or seasonal exhibits on and off-site, or working in the archives. I also sometimes attend meetings relating to projects I’m working on or record-keeping and records management at the Town of Aurora (a “bonus” to supplement my learning in the Masters of Information program).

Cassy: Every day can be a little different which keeps me on my toes! The Academic Resource Center Office (ARC), where I am based, handles all the museum’s academic appointments. My main responsibilities are to facilitate a smooth on-boarding and exiting experience for the museum’s interns and fellows, but also to serve as source of support throughout their placement. Specifically, I hold orientation sessions on a weekly basis for new appointees and assist in aspects of their security clearance. Near their appointment end date, I am responsible for holding exit meetings and doing informal program evaluations. As part of the ARC team, I also assist my team members to coordinate and conduct behind the scenes tours of collections and projects within the museum. As a team, through orientation sessions, tours and events, we help create a sense of community for interns and fellows in the museum.

Tanya: The Penn Museum is in the midst of renovating many of its permanent galleries. I am assisting the curatorial team that is redeveloping the museum’s Canaan and Israel Gallery. At this early stage in the project, the curators are interested in knowing what exactly the museum has in its collections and what stories they can tell based on those objects. On any given day, therefore, I am either rummaging through the shelves in storage for relevant artifacts, photographing those objects, updating the museum’s database (EMu), sitting in on curatorial meetings, or doing research about groups of artifacts in the museum’s library. Every summer, the Penn Museum hosts a summer internship program, and I’ve been able to tag along during gallery and storage tours with the Curators and Keepers as well as attend presentations by staff from each sectional department. This has given me a good overview of the workings of the museum.

Emily:  Please forgive the cliché but there is no typical day for me at the OSC, and I am beginning to believe this is true of all museums. The only constancy here seems to be the daily routine of checking your email account to accept meeting requests. My title at the OSC is “Artifacts Intern” and the majority of my responsibilities fall under Collections Management. Yes, you heard that right, the OSC does have a collection. Our main project has been an inventory and reorganization of the collection, increasing the care given to the objects as we go along. I have also been fortunate to participate in content research for the refresh of a permanent gallery. Although I have these main projects, challenges arise and new projects prop up, making no day quite like the others.

Susan at Toronto Ward Museum's "Not Just Numbers" event in Ottawa at the Global Centre for Pluralism.

What is something you have learned (this could be museums related or not) in your internship so far?

Susan: Co-developing public programs with migrant communities is often not discussed in class. So to be able to relate to what I’ve learned in class is difficult. In class, we learn about working with objects, not with people. This is usually with the assumption that we would work in a mid to large sized museum in the future. Although many museums focus on different aspects of human migration using objects as a medium to convey stories of human migration, very few museums focus on working with human storytellers. I enjoy working with the stories of the people because there is so much one can learn and benefit from.

Maeghan: Both my experience with the Zoo strike and my time at AM&A have really emphasized the importance of being flexible and open to changing your plans. With school I like to really immerse myself in one project and focus on finishing that before moving onto something else, but that isn’t possible in a small museum. There are so many things happening at once, and everyone is juggling their own schedules daily to make sure that we can finish what needs to get done. It also pays when we run into challenges, which were especially frequent during the installation of the current exhibit, Aurora Canada’s Birthday Town. Being able to let go of plans when they didn’t work out allowed us to move forward quickly and find solutions.

Cassy: In regards to the larger institutional picture, I have learned how vitally important museums can be in expanding fields of research and science by creating an academic ladder for blossoming scientists and museum professionals. I have also learned through coordinating intern tours and orientation sessions that cross-communication with individuals in different departments is necessary to create excellent academic programs.

Tanya:  This may seem self-evident, but what I have learned so far is how much work goes into creating a new permanent gallery! Developing a permanent gallery is, in some ways, a museum’s way of going back to the drawing board. It is a chance for the museum to revisit its collections, freshen up the gallery themes, incorporate new research, and make the museum relevant for a new generation. Since a gallery may remain the same for twenty years or more, there is a lot of pressure to get it right. This means that every effort is taken to create the right themes, chose the perfect artifacts, argue over the right word on a label, and present it all in a fun and informative way. Before this internship, I don’t think I fully understood the effort that went into re-designing a permanent gallery or the high stakes that were involved.

Emily: How to fold a box! Increasing the care for objects in the collection has required the folding of many boxes. Sometimes they come with instructions, often times they do not. It has taken practice to be able to look at a flat box, figure out how it goes together and do it quickly. We joke this would be one of the tasks we would have if we ever created our own Museum/Art Handling Olympics.

Maeghan installing vinyl wall panels for a summer exhibit at Aurora Museum & Archives.
What is something that has surprised you about museums that you did not know before working in a real one?

Susan: What surprised me is TWM’s earnest willingness to work with migration stories, since not many museums work with migration stories and actively collaborate with the storytellers. At TWM, the ideas presented by the communities are prioritized during the developmental process of public programs. As a community-engaged and migration museum, the exhibitions and programs are developed around migration stories and storytelling. As a result, the Ward Museum provides a public platform to the voices of Canadian newcomers. All of the Ward’s public programs are developed around migration as a premise. The public programs are not just developed by the museum staff but also are co-developed by the communities the Ward serves and works with. I feel that this is something museums do not often do. They create the public programs first and then involve the people, whereas this is a reserve process for TWM. The core principle the Ward Museum emphasizes is inclusion.

Maeghan: I am endlessly impressed by the amount that can be accomplished by a small team. Up until April, my supervisor was the only employee of the museum. Since then, the team has grown to include a second permanent employee, a full-time summer student, a part-time summer student, and me. Even with this growth, we have work coming out of our ears! I have no idea how the curator got so much done on her own.

Cassy:  It has been a pleasant surprise to witness the passion that the Natural History Museum staff and researchers come to work with seemingly everyday. Their dedication and willingness to share is truly inspiring.

Tanya: Although not a surprise, the biggest adjustment for me when dealing with archaeological collections in museums is to remember that these pieces will be put on display. This means that only the “best examples” of any group of objects, such as, for instance, whole ceramic vessels or metal objects with little corrosion, will do for display purposes. What will be put on display and, consequently, what stories will be told, will depend on the vagaries of the state of preservation of any given archaeological context! Rather than thinking about the objects as a collective whole, I need to remind myself to treat the artifacts like individual pieces of art with their own unique histories.

Emily: I feel like I must have known this was true, but I never genuinely realized the extent to which building an exhibition or permanent gallery is a team effort until being part of a project at the OSC. There are so many details and considerations that go into building an exhibition that I had never realized before from my perspective as a visitor or a Museum Studies student. Building a team that has a diverse set of skills to complete all of the tasks required is essential, as well as having a project manager adept at keeping the project on track and ensuring the outputs of the group form a coherent end-product.

Cassy in the rotunda of the Museum of Natural History with Henry the elephant!
What is an obstacle you have faced during your internship and how did you overcome it?

Susan: Emails! Emails! Emails! Putting a professional email draft together was difficult at first. When I put an email together, I always ask myself, does the email contain all of the necessary information? Is it polite? Is it professional? So…..at what point in my email relationships can I use my signature smiley face emoji? The few times I’ve drafted an email, I’ve asked my supervisor to check before I send the email to project partners and team members. But now, I’m pro in emails!

Maeghan: Seeing my internship with the Toronto Zoo fall apart when CUPE Local 1600 went on strike was easily the hardest thing that I have dealt with this summer. I was really excited to spend my summer surrounded by animals. I had also built my summer plans around the timeline and work schedule I had negotiated with the Zoo. Finding a new internship halfway through May was a daunting task, and has created a lot of annoying repercussions in my academic and personal life, but I am ultimately satisfied with the way things worked out. I am learning so much from AM&A, and have had the opportunity to engage with a really broad range of functions in the museum and the archives. If I could go back and make a different decision, I would apply to AM&A from the very beginning!

Cassy: I found it difficult to be away from loved ones during my internship.

Tanya: I was once a student at the University of Pennsylvania and spent many, many days in the Penn Museum library. Some of the Museum staff and curators have only known me as a student. So, one of the things I’ve had to overcome is the perception of me as a student (to myself and others) and to think of myself as a museum professional in training. Some simple ways I overcame this perception was to dress up every day, approach people as equals, ask to participate in meetings, reach out to staff I did not know previously, and to treat my internship as a 9 to 5 job.

Emily: My Microsoft Excel skills were definitely a little rusty at the beginning and still today there are many functions I don’t know about the program! Building spreadsheets is an important part of Collections Management in my opinion, as Excel easily allows you to organize data. Understanding where to turn for help, whether that be Google or your most proficient desk mate in the case of Excel woes, is key to overcoming any obstacle.

Tanya in action at Penn Museum.
What are some suggestions/advice you would give to a future intern who is hypothetically starting their internship in the same role as you?

Susan: Don’t be shy to ask questions! Be assertive! Know your limits before saying yes to everything! And most of all, enjoy the learning process.

Maeghan: Be open to trying anything that’s offered to you! I started my internship hoping to build my experience in collections management, and that has certainly happened. But I’ve taken an “I’ll give it a shot!” attitude to everything AM&A has offered to me, and I’ve learned so much, both in terms of how to do things, but also in terms of what I do and don’t like. Communication in my institution is really open, so it’s not hard for me to try something and then at the end of the task say, “I don’t think this is for me,” and ask to do something else. And of course, along with the “something I learned,” stay flexible!

Cassy: For future interns whose placement is out of the country, I recommend keeping busy, remember why you're doing your internship and understand that now is the best time and place to make friends and connections. Go out for drinks with your co-workers and if there are socials at your museum or institution be sure to attend!

Tanya: Take advantage of every opportunity offered to meet new people, go on behind-the-scenes tours of different parts of the museum, and attend presentations on various topics. You’ll learn so much about the culture and history of the museum. Also, don’t be afraid to ask to participate in meetings or to take on a new task. People are generally happy to teach you – and remember, you’re helping them too!

Emily: Buff up on your artifact handling skills and packaging skills. A large part of my internship has been moving artifacts and packaging them to increase their care. Knowing how best to pick up and move an object is key as well as learning how to give the best care you can to the object with the archival materials at hand or within your means. Additionally, something I hope to do more of and would suggest to anyone else entering this collections management internship, is reading as much of the CCI’s Agents of Deterioration and preservation notes as you can. Knowing how a variety of material types will age & deteriorate and the preventive measures we can take is key to any collections management role.

Emily taking a desk selfie!
What’s your passion?

Susan: My passion is to give a voice to the people who were systemically excluded from museum settings. To work with migration stories and empower the storytellers, by telling them your migration story matters!

Maeghan: So vague! In relation to my program at the iSchool, I’m really interested in convergence of libraries, archives, and museums as information institutions. I also love organizing things, researching, and baking. This summer has also highlighted my tendency to wear black, which shows all the dirt and dust I inevitably come across in the basement corners of the historic building the museum is housed in.

Cassy: I am passionate about the potential museums hold for benefiting the public and academia. I love sharing the knowledge that a collection can hold and the stories they can tell, whether that is with academic appointees or with the public.  

Tanya: My passion is archaeology, history, and working with material culture. Sometimes, in storage, I just touch interesting artifacts, just because I can! I guess it’s a bit cliché, but the reason I love handling artifacts is because, when you do, you are “touching history.” My job as a museum professional, as I see it, is to transmit the awe and excitement I feel about an artifact to the museum-going public so that people can feel the same emotions too.

Emily: Science! I feel like anyone in the program who knows me would hear me saying this exclamation way too often. Although my background is in life and medical sciences, I am especially interested in how objects from all disciplines can be used to communicate scientific concepts to audiences and to build a variety of skills in visitors. Through this internship I have reinforced a belief that I can best aid this mission by providing collections management care to scientific collections and balancing the need for preservation and use of these objects.

Thank you Susan, Maeghan, Cassy, Tanya and Emily for participating in these interviews for our last internship check-in. I've really enjoyed getting to compile these chats and to see how unique each internship experience has been. See everyone in a few weeks when classes begin!