BY: JAIME CLIFTON-ROSS
Now more than ever, museum educators and interpreters are experimenting with new approaches to representing history. In offering engaging alternative entry points, many museums are integrating multisensorial experiences into exhibitions and public programming. Historic cooking and the study of food history has become a popular (and delicious!) method for visitor engagement, because who wouldn’t love learning about cultural history through tasty treats?!
The Mind of a Chef Logo, PBS |
Chef Sean Brock (right) and the cover of his new cookbook, Heritage. |
SOME HIGHLIGHTS
Chef Sean grew up on a rural Virginia farm, located in the Appalachia region, where his mother taught him to cook with heirloom ingredients growing in his own backyard. As a chef, his main culinary mission is to dispel the notions that Southern cooking lacks variety, is unhealthy, and is all deep fried. In fact, traditional Southern food is hearty, often vegetable driven, and adventurous in its use of unorthodox ingredients and cooking methods. Some of the most interesting ingredients used in his recipes were kohlrabi, sumac, homemade fermented farro and benne miso, banana miso, dried vinegar beet reduction, and eucalyptus preserved blueberries.
Sean Brock cooks up a Southern classic, Hoppin’ John |
Chicken and Dumplings with Chef Sean Brock and his mum!
I was particularly excited about the episode, “Preserve”, where he shares his Cabinet of Curiosities in his food cellar. Filled with hanging fermented fish, dried vegetables, preserved fruit, homemade miso, and his grandmother’s “ancient” bread mother, his cellar felt more like a museum collection of scientific experiments and specimens, than a pantry.
Greasy beans (left) are strung up like popcorn for the Christmas tree and dried |
The Bradford Watermelon Story.
Why people used to poison their watermelon crops!
Now I know I mostly discussed farming practices, but Chef Sean and his friends also make many mouth watering seafood dishes. He traces the drying, salting, and fermentation process back to Senegal in Africa, where his friend takes him to a massive fish market on the sandy ocean shores. There he unveils how West African food heritage is still very much embedded within Southern cooking practices, despite the many years that have passed since the beginning of slavery in America.
I like to see how more and more food becomes a "natural" part of discussions about heritage and culture. Thank you for sharing your thoughts on this series, which is on my list of things to netflix (I guess it can be called a word now, right?) over the reading week (as part of my research, of course). The funny part is that historic homes have been doing work around food for a very long time but with very little visibility - so another reason to enjoy this account of the relations between food and heritage!
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