Showing posts with label Black History. Show all posts
Showing posts with label Black History. Show all posts

22 March 2019

HUNGRY FOR MORE: BLACK FOOD HISTORY AT FORT YORK




A sign helpfully directs me to where I need to check in for the event. Photo courtesy of Elizabeth Cytko.

It's February 23, and I am at the annual Hungry for Comfort Event organized by the Fort York staff with the OBHS acting as guest Curator of Programming. The theme focuses on the culinary stories of Black communities across Canada and how their food traditions adapted as they integrated themselves into Canadian society.

Helping supervise the baking competition was the Culinary Historians of Canada (CHC). The CHC is a volunteer driven society brought together by a love of food and history. They put on various events throughout the year where one can learn historic methods of food preparation, how to ethically attain food in the modern day, and learn about the histories behind Canadian food culture.


Our historic friend for the day is James Mink. Photo courtesy of Elizabeth Cytko.

Entering the Blue Barracks there is a lowkey buzz as people settle in. Long tables are set up with seats around them. The center piece features a local historic Black person with a brief biography of what they did.


Historic panels are placed beside the refreshment table to be read while waiting in line.
Photo courtesy of Elizabeth Cytko.

Refreshments tantalize. Photograph courtesy of Elizabeth Cytko.

Much care and effort has been put in to emphasize Black Canadian history. There are large poster boards beside the morning refreshment table, which inform the visitor of the Black soldiers at Fort York. Paper plate laden with Basic Hot biscuits, Fort York Honey, Little Fine Cakes (my absolute historic favourite!) and Akara, I make my way to the table and sit down. The communal set up means I get to meet new people who also appreciate historic food and share this experience.


A photo of the powerpoint because I did not manage to get a good close up photo of Eden Hagos.
Photo courtesy of Elizabeth Cytko.

The keynote speaker is Eden Hagos who is a food writer and founder of the Black Foodie. Hagos shares how growing up in Canada, she viewed her traditional Ethiopian food as a source of shame when she compared her home made lunches to the other kids at her school. When she began to reconnect with her food culture, she realized that it was a reconnection with her ancestral home. In starting her blog the “Black Foodie” she wanted to connect with other people her age that had similar experiences, to share traditional recipes and build up a community.



Chef Selwyn Richards educates us about diasporic food history. Photo courtesy of Elizabeth Cytko.
Chef Selwyn Richards dazzle us with his fiery technique. Photo courtesy of Elizabeth Cytko.

Our chef for our afternoon lunch Masterclass is Chef Selwyn Richards from The Art of Catering. Powerpoint ready he discusses the diasporic food history across the West, pointing out how foods have travelled from Africa to North America. When he talks about modern food he says “If you can imagine it, we can create it!” followed by the idea of Jerk Chicken lasagna. His advice for visiting restaurants is to ask the waiter what the best dish is and go with that, as this is the best way to try something new that is guaranteed to be good.

The various speakers and workshops I attend emphasize how food is a conduit to the past and future. I learn how enslavery has shaped the African food experience in the Western world and how the recipes of today contain the memories of bondage, resistance and liberation.


A sampling of the fare. I learned from my mistakes from last year and made sure to bring some food containers to take leftovers home. If you attend this event I suggest that you bring containers too!
Photo courtesy of Elizabeth Cytko. 
Lunch is then served in a buffet style, with each table getting food in an orderly fashion. Jerk chicken, Rasta pasta salad, Jollof rice – the food is delicious. Full from lunch we make our way to the respective workshops.

I attend a workshop facilitated by an educator who taught us how to make Breadfruit Chips. As a white settler I had never encountered breadfruit before in my usual culinary adventures, so I purposely chose this workshop to expand my food horizons. I learn what breadfruit is, along with the importance of integrating it into a larger diet since the plant is easy to grow, helps prevent deforestation, and contains many vital nutrients!

Dessert is served! I could not get enough of those Date Bars -- absolutely delicious!
Photo courtesy of Elizabeth Cytko.

After the workshop and back in the Blue Barracks, we are served a historic dessert of Sweet Potato pie, Date Bars, and Ice Cream. With the concluding remarks and the handing out of the competition prizes, contentedly, I leave the event with a better understanding of historic foodways and a new item on my shopping list: breadfruit.

This article has been updated to reflect that the event is in fact put on by Fort York staff with the OBHS acting as guest Curator of Programming. The Culinary Historians of Canada supervised the baking competition on the day of the event. Apologies for the misinformation.

2 October 2018

"WHOSE HISTORY IS IT ANYWAY?"

Museum Innovations | Keelan Cashmore

Before there can be innovation in museums, there must be a history. But, whose history? When it comes to studying the past, everyone has a different opinion. What history was beneficial, what was detrimental, what was both, and for whom? These topics are constantly debated throughout high schools and universities alike. But I think the most interesting thing about histories is how one can be silenced in favour of the other.

In April 2018, the National Memorial for Peace and Justice opened in Montgomery, Alabama. ["This memorial"] commemorates 4,400 black people who were slain in lynchings and other racial killings between 1877 and 1950. Their names, where known, are engraved on 800 dark, rectangular steel columns, one for each U.S. county where lynchings occurred.” Source.

An image of the rectangular steel columns commemorating those slain in lynchings. Source.
 A museum entitled The Legacy Museum will also open its doors. One of the main displays are shelves of more than 800 jars of soil from lynching sites across the country. Source.

An image of the jars filled with soil from lynching sites. Source.

So, you might ask, why is this an innovation? Is it not studied? Taught in schools? How are the memorial and museum "innovative"?

The answer is because “There is nothing like it in the country. Which is the point.” Source.

An image of a statue on display at the National Memorial for Peace and Justice. Source

Because this history is constantly overshadowed. Because brutality, violence, and discrimination still run rampant today. And because, in the light of the controversy surrounding the confederate monuments throughout the United States, The National Memorial for Peace and Justice is facing backlash.

Residents of Montgomery have called it a waste of money and a waste of space, arguing that it’s “bringing up bullshit.” Members of the Alabama Sons of Confederate Veterans have said to bring the history to light, but not to dwell on it, because they have moved past it. Others have stated it's gone, and it will not happen again, and that the reaction of many Montgomery residents was to “let sleeping dogs lie.” Source.

My response to that is no.

One person moving forward does not mean others have. It is easy to let sleeping dogs lie when history paints you as the winner.

There are hundreds of confederate monuments in the United States. But this memorial and museum are the first of their kind. The fact that there is nothing like The National Memorial for Peace and Justice and The Legacy Museum in the country proves why they were created, and why they deserve to exist.

An image of the Alabama Confederate Monument in downtown Montgomery. Source.

If you are causing an uproar over the removal of confederate monuments because they are a piece of your history, what right do you have to promote the same actions being taken against others? Why do you think displaying your history is right, but someone else’s is wrong?

I am the first to admit that I do not know everything about this history. In fact, the only thing I know for certain is that I do not know much. But what I do know is that these reactions are the reason museums and monuments like the National Memorial for Peace and Justice and The Legacy Museum need to be open to the public.

It is 2018. History is not a single all-encompassing story. History has twists and turns. History can be good, but history can be bad. Something that you regard as positive may very well have disastrous consequences for others.

History is not a singular entity, but tens, hundreds, even thousands of different versions of the same event. One side’s opinion is no more factual than another. And it is our responsibility to share more than what we have been told is “right”. What we have been told is “fact”.

An image of the lynching death of Henry Smith, Paris, Texas, 1893. Smith, accused of murdering the young daughter of a policeman, was mutilated and burned alive before a crowd of 10, 000. Source.

It is time to let voices be heard and history be shown.
It is time to stop running and face the past.
It is time for us to learn.
To accept other realities.
To grow.
To change.

It is time.