Showing posts with label Canadian Language Museum. Show all posts
Showing posts with label Canadian Language Museum. Show all posts

8 September 2021

INTERNSHIP CHECK-IN: AUGUST 2021

 Internship Check-in Jingshu Helen Yao



For this month’s Internship Check-in, I interviewed Loren Wong. Our conversation also inspired me to reflect on my own job searching and internship experience.

Loren is working as an intern at the Public Art Program for the City of Ottawa. While her work includes the installation of artworks in public spaces around the city, Loren’s main responsibility is collections management. Loren targeted opportunities in Ottawa, the city she lives in, during her internship search. She didn’t find many formal job postings online, so she made a lot of cold calls and sent out several emails to potential employers instead.

Research is the main part of Loren’s daily tasks, where she looked up information on artists and artworks. For example, she collected background information of pollinator gardens for a meeting on future installations in the city. She is currently compiling a document for her department, consisting of a contact list of artists working in the area for reference and for future commissions. Aside from independent research and writing, Loren also took part in labelling art pieces and deductive tags. Recently, she also did social media posts to promote artworks.

Loren admitted that she didn’t like working from home. The main challenge is “one million and one technical difficulties,” as Loren described. To complete her work, she needs access to the city’s database and software. It took weeks to process an application for a computer from the city; access to software licenses and shared drives had become barriers during her internship. Loren believes that work from home also leads to inefficiency of communication, which adds to the potential for problems.

“There were weeks when I just sat on my hands and couldn’t do any work because I didn't have access to the database…", Loren related. “Then, after five hours on the phone with IT, I finally gained access and completed all the work in three days.”

Since galleries were not open during the time of her internship, Loren couldn’t visit any sites to view the artworks she was working with, but could only rely on her computer.

“It’s just me and my dying laptop against the world,” Loren quipped.

Even with the advantages of not having to commute and having flexible working hours, Loren still much preferred working in-person.

Having a background in visual art, Loren really enjoys that she could write about art for her internship. Museology and the process of collection are two of her areas of interest, and she appreciates that she had the chance to look behind the curtain of how an art gallery works.

Loren gave a piece of advice for future students in the internship course to not rely solely on the opportunities posted by the MMSt program, especially if they want to work somewhere outside of Toronto. She had a positive experience doing cold calls and felt that many institutions are open minded and happy to take on interns.

“A mistake I’ve made, and I hope other people could avoid, is selling yourselves very short during the job search process,” Loren added. She mentioned that imposter syndrome is what always made her freeze at interview questions such as, “Why would you be better at this job than the others? Why should we hire you?” Self-confidence is a simple concept but one which is the most difficult in practice, especially for people from marginalized communities. I resonate with Loren’s sentiment and instead of interviewing another fellow student, I decided to continue this discussion with my own experience.

I started with very little hope of finding an internship for the summer. The past year of trying to find opportunities in museums had strongly discouraged me. Most jobs I found in the arts and cultural sectors are reserved for Young Canada Works, which require applicants to be Canadian citizens or permanent residents. I am an international student on a study permit, which disqualified me from applying for any of those openings. The fact that I had no background in visual arts or history added to my worries and, at many points during the last year, I had doubted my decision of pursuing museum studies in general.

In January, I decided that if I am not able to work during the summer, I might as well go home to visit my family. Later that month, an iSchool email about the Architectural Conservancy of Ontario’s NextGen Job Shadowing Program caught my attention. It was only a short program consisting of virtual meetings with a host, but I was open to every little opportunity. 

Among the hosts, I found the Canadian Language Museum, an institution that I had previously connected with and always wanted to volunteer for but wasn’t able to due to COVID. Although I applied for the job shadowing program without many expectations, the virtual meetings with museum director Dr. Elaine Gold gave me the chance to ask for an opportunity to work for the museum during the summer. I was surprised by how accommodating they were, developing my internship together with me. I was given the responsibility to conduct research for an upcoming exhibition on Chinese Languages in Canada – related to my background in linguistics and language abilities. I initially worried that my trip back to China would result in a 12-hour difference from Toronto, and even if I could work remotely, it wouldn’t be ideal. But my hosts were willing to do our weekly meetings first thing in the morning at 9 am, which allowed me to return home while still being able to work a regular schedule.

I appreciated my host’s efforts to help me get the most out of my internship experience, and I started to think about ways in which I could use my situation to benefit to the work I was doing. I was also in charge of updating a list of language museums around the world, among which several museums are located in China. However, language barriers and internet restrictions made it difficult to research them. I reached out to Shanghai International Studies University (SISU) and visited their language museum to make the connection. It turned out to be a surprising experience and you can read about it in my blog post here.

 
Museum of World Languages at SISU | Photo courtesy of the author. 

My international status was one of my disadvantages from the beginning, but it ended up becoming a unique opportunity. It gave me hope that I may bring something different to my studies and in my work experience in Canada, and my internship helped to explore different possibilities to make the most of my museum studies experience.

25 March 2018

MMSt 2018: EXHIBITION PROJECTS PART II

RESEARCH COLUMN

BY: SERENA YPELAAR

Happy Sunday, readers! It's your friendly neighbourhood Editor-in-Chief again, with another installment of #MMSt2018 exhibition projects for your curious minds. Last weekend you got to hear about the ones that are opening first; this post will follow the same chronological structure and pick up where we left off.

So sit back, relax, and enjoy hearing more about our students' projects!


Temple of Fame: Staging Women's Roles (April 25-June 10, 2018)
Maeghan Jerry, Kara Isozaki, Sarah Kelly

Location: Aurora Museum & Archives, 22 Church Street, Aurora
Opening Reception: April 25th, 2018 5:30 pm - 8:30 pm

A century ago, the women of Aurora produced the Temple of Fame: A Pageant of Famous Women. The play featured historical and fictional female figures vying to be crowned by the Goddess of Fame. Our exhibition explores how the play illuminates the changing roles of women in 1918. Our project is a portion of larger centennial programming, which celebrates local women through a series of community events, including a remount of the play.

1918 production of Temple of Fame. Photo courtesy of the Aurora Museum & Archives.

Redefining Language in African Art Scholarship (April 30, 2018 –) 
Susan Jama
Working at Clara Thomas Archives & Special Collections! Photo courtesy
of Susan Jama. 

Location: Clara Thomas Archives & Special Collection, York University Libraries, Toronto

My digital exhibition, Redefining Language in African Art Scholarship, explores the history of language used to describe African art from colonial to post-colonial era. Redefining Language in African Art Scholarship reveals the transformative shift in African art literature written from the 1900s to 1980s.



Messages from the Mosaic (May 1, 2018 –)
Ellen (Mairead) Murphy, Zhuohua (Nicole) Yang

Location: Canadian Language Museum; messagesfromthemosaic.ca (digital exhibition)

Promotional image for the exhibition. Photo courtesy of
Ellen (Mairead) Murphy.
Our exhibition project is Messages from the Mosaic, a digital exhibition about the languages of Canada. Using text, infographics, and clickable elements, we want to curate a web exhibition that explores the history, trends, and challenges surrounding Canada’s transforming language mosaic. This is a bilingual exhibition (English and French) and will be launched in May 2018.




A Telepathic Book (May 5-15, 2018)
The Broadbent Sisters' Telepathic Book. Photo courtesy of
Broadbent Sisters and Robynne Redgrave, 2017. 
Aurora Cacioppo, Meagan Fillmore 

Location: Black Cat Art Space, 2186 Dundas St W, Toronto
Opening Reception: May 3, 2018, 6 pm (remarks at 7 pm) at Stephen Bulger Gallery, 1356 Dundas St W, Toronto

We are working with the Broadbent Sisters to translate the components of their sculptural photobook into an exhibition for CONTACT Photography Festival. For fourteen days, the artists used meditation to telepathically send and receive images to one another. Afterward, they revealed their photos to one another and found unbelievable connections! Using each day’s images, the artists produced A Telepathic Book, which displays these parallels while promoting meditative practice through its design.

Partners: The Broadbent Sisters


The History of the John Street Roundhouse: 1929 - Present (May 2, 2018 –)
Hannah Monkman, Abebe Mengesha, Alice Norton-Bell

Location: The Toronto Railway Museum, 255 Bremner Boulevard, Stall 17, Toronto
Opening Reception: TBD

Our project is to create a new entryway exhibit in the Toronto Railway Museum, which will set the tone for an upcoming museum-wide redesign. We’re exploring the rich history of Toronto’s rail lands from 1929 to the present day, looking specifically at the John Street Roundhouse where the exhibition will be located. Come learn the story of an area once dedicated to the railway, that’s now a bustling neighbourhood filled with iconic Toronto attractions!

The John Street Roundhouse in 1930. Photo courtesy of
Toronto Public Library Archives.

Anna taping up the exhibition space for Inner Spaces!
Photo courtesy of Kasey Ball. 
Inner Spaces (May 1-31, 2018)Cassy Kist, Anna Kawecka, Kasey Ball

Location: Ontario Science Centre, 770 Don Mills Rd., Toronto
Opening Reception: May 5th, time TBD

Our exhibit provides a brief glimpse under the microscope of research being done across Canada. Displaying images of cellular pathology captured in the lab, we hope to bring awareness to this amazing scientific work.






Collecting Moments: The Photographs of Dr. John E. Ackerman (May 17-June 13, 2018)
Charlotte Gagnier, Sarah Proulx

John E. Ackerman, Men outside Ackerman's Grocery Store ca.
1940s. Ontario Jewish Archives, Blankenstein Family Heritage
Centre, accession 2013-7-13. 
Location: Black Cat Artspace, 2186 Dundas Street West, Toronto
Exhibition Hours: Wednesday to Sunday, 12-7 pm
Opening Reception: May 17, 8-10 pm

Our exhibition consists of photographs reproduced from archival negatives taken by an accomplished amateur photographer, Dr. John E. Ackerman. We are very excited for the opportunity to work with such a rich collection, held by the Ontario Jewish Archives. The best part of fulfilling our role as curators has been looking through this beautiful collection of moments that portray the personal life of Dr. Ackerman as well as life in Toronto in the mid-20th century.


Lost and Found: Rediscovering Fragments of Old Toronto (May 2018-May 2019)
Hannah Hadfield, Tanya McCullough, Leora Bebko

Promotional image for Lost and Found. Photo courtesy of
Leora Bebko, 2018.
Location: Campbell House Museum, 160 Queen St. W., Toronto  
Opening Reception: May 17, 2018 – Panel Discussion from 6-7 pm, Reception from 7-9 pm

Our exhibition will feature six groupings of handcrafted carved stones salvaged by Rosa and Spencer Clark from iconic Toronto buildings in the postwar era. Positioned throughout the Campbell House Museum gardens and juxtaposed against the modern city landscape, we hope that our exhibition will inspire visitors to contemplate the city’s relationship to its heritage and imagine what the city will look like in another 50 years.


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Kudos to all these amazing groups and their fascinating exhibition projects - I'm looking forward to visiting them all. Be sure to check the exhibitions out in person at the openings or beyond!