BY KATLYN WOODER
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Recently I’ve been thinking about the definition of "curator" because the weather has been great and I've been escaping the heat by touring galleries and museums. Blessed are the museums, which due to condition management practices, are air conditioned. I can’t get the first class of Curatorial Practice, taught by Matthew Brower, out of my head. Prof. Brower raised an interesting question of what it means to be a curator in a society where everyone is donning their curating hats, arranging their stuff in an artsy and intent filled way, and calling themselves curators.
Which is okay, they can do that. Most job titles are made up, and are just a way of communicating your purpose in life to strangers.
But in our program, and in the larger museum field, being a curator is a serious job. One that means you research, interpret, and develop an exhibit. A curator, according to the Oxford Dictionary, is “a keeper or custodian of a museum or other collection.” It’s a lot of work, and work that tends to be reliant on people not only getting what you are doing, but finding it interesting enough to be worth it. It is a cross your fingers and pray to your deity be it a god or analytical data scenario.
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We now have this weird role in society where people are calling themselves curators, but are really a hybridization of the roles and responsibilities of curators and collection managers. I'm not upset about it because it all boils down to a bunch of people who have a passion about one thing, and want people to take them and their collections seriously. However, I don't think the existing terminology really applies to how people are using it because being a curator or a collection manager is steeped ( ;) ) in a rich/diverse history of the cultural heritage sector.
The difference between a coffee shop and a museum is standards. If a coffee shop turned out to be fraudulently misrepresenting their products I would be mad, and I wouldn’t go back. If a museum, gallery, or/and hall of fame failed their ethics test I would be outraged. Perhaps this is a result of over a hundred years of higher expectations, but I don’t think so. A museum's responsibility is to its collection or cultural product. I would hold curators to a higher standard if they worked in a museum, gallery or hall of fame. I worry about the responsibility of a curator or other museum professional diminishing when that responsibility isn’t understood by people outside of the museum world.
Maybe what we need is a new name… how about "supreme overlord of particular tastes" for curators and "supreme overlord of keeping their feet on the ground" for collection managers. Those would be fun business cards.
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