These baby trousers are made of grey wool and red crochet trim. They close at the front in a "Y" shape with buttons to make dressing a baby easier. Photos courtesy of Rachel Dice. |
They were horribly bug-eaten, and just as clearly home-made. The little trousers are entirely one piece with no seams at all and join in the front with rows of little buttons. They were designed to be buttoned onto a baby without having to force little legs through pants, much like snap-together baby rompers work now. In short, playing around with the teeny trousers to see how they work was irresistible, but how can you know whether or not some textiles can stand up to the abuse of use?
Most of the time, the textiles will tell you themselves.
Wool and thick cottons are usually very sturdy; they retain their strength and functionality even in the face of bug-eaten holes. They rarely become stiff or immovable - we can save that for leather - and usually will not rip without concentrated effort. Sturdy velvets with short pile also fall under this category, as well as thickly woven silks. Many of these fabrics were made to withstand use and wear, so they hold up well even after a century or two of disuse. Wool is my favorite textile to work with. Yes, it is often bug-eaten, but the fabric is sturdy and
This late 19th century black wool vest with butterfly sleeves in still in amazing condition. If it wasn't part of a museum collection, you'd hardly believe it wasn't new. Photo courtesy of Rachel Dice. |
Oftentimes, it’s silk and sheer cottons that suffer the most. Both are made from plant fibre and are much more sensitive to changes in their environment. Additionally, unlike wool, silk or cotton are not self-extinguishing. In fact, they are likely to go up in smoke in very short amounts of time. Silk also tends to dry out faster than any other fabric; it can become so dry and brittle that it begins to flake or tear apart under its own weight or even the most negligible amount of stress. Sometimes it feels like even looking at a brittle piece of old silk too intensely will tear it. It makes conservation work tricky, and, for some reason, it is often some of the most beautiful pieces that are far too delicate to ever be displayed. Such is the burden of textile collections.
This beautiful jacket is lined with cream silk. The silk is extremely fragile and brittle, and has began ripping apart as if it was attacked by a particularly enthusiastic cat. Now, the garment needs special supports and a backer board - it can't support its own weight, even lying down. Photo by Rachel Dice. |
What makes these collections even more interesting, however, is considering how fashions today will fit into them. Will future generations centuries from now curse me for not saving an old sweater, or for recycling old shoes? At what point do we decide what kinds of fashions are representative of an era? Will schoolchildren one day cluster around a faded pair of mom jeans like we cluster around Victorian gowns and World War uniforms today?
Nobody can tell the future, but we certainly try our best to create stories of the past. If it ever comes down to it, which of your outfits would you put in a museum?
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