Showing posts with label Museums of Mississauga. Show all posts
Showing posts with label Museums of Mississauga. Show all posts

23 March 2020

WHAT DOES COVID-19 MEAN FOR MUSEUMS?

Muse News | Michelle Wright


Museums often ask themselves “who are my visitors, what are their needs, and how can we meet them?” These questions evolve, and with the challenges the world is facing today with COVID-19 museums are re-evaluating them all over again. Thousands of museums around the world are closed, and while they are struggling with the same challenges as other businesses and people, museums are rising to the challenge to remain a source of education, entertainment, and cultural importance.

Bradley Museum in Mississauga closed due to COVID-19. Photo courtesy of Michelle Wright.
Arguably, the average visitor today has two basic needs; visitors are looking to entertain and educate their children now home from school for an extended period of time, and visitors are looking for an escape from both what is happening and ultimately, boredom. In many ways the average visitor’s needs have not changed drastically, visitors still want verbs.

Verbs means they want something active and participatory, they want to learn, explore, make, etc. Museums are working hard to continue to meet those needs through digital platforms. Even though people are self-isolating, they are more connected than ever. We are relying on the digital world for news, connection, and entertainment. Many museums already have digital avenues put in place and are increasing these. Museums are producing new digital content multiple times a week, including new features to their websites like games and virtual tours, Instagram, Facebook, YouTube, and more.



It is important to remember that this is a marathon, not a sprint. This is not the time to create something completely new. Many places are reduced in staff, working from home, or are unable to access various things that would be readily available to them in the museum. Ultimately people are now faced with new stressors. Museums have a wealth of resources and knowledge, past programs, and staff full of ideas. They need to start with what they have available to produce content quickly.

Many museums are working on new scheduling of releasing content. Seema Rao, Deputy Director & Chief Experience Off at the Akron Art Museum in Akron, Ohio says that they are trying to follow a daily schedule based on visitors’ needs. They are releasing what she calls “deep content” which is thought-provoking in the mornings for people that are trying to get into the work mindset at home, “make-it” content in the afternoon for people that have been with their kids all day and need something for them, and lastly, Sunday is a games day.

Producing this much content means museums are doing a lot of sharing among themselves. The museum industry is more than an industry, it is a community. Over the past weeks many museums have been adopting a new hashtag for sharing content; #MuseumFromHome. One of the first to adopt this was the National Gallery of Art in Washington, DC which launched a daily series of gallery-by-gallery tours on various social media platforms. Many museums have followed suit and are sharing internally and externally.



We are living in unprecedented times and many people and companies are thinking heavily about the future and what might change. Many people and companies will struggle to make it through these times for many reasons, and of course one of the biggest things on peoples’ minds is the financial impact. Many museums rely on donations, ticket sales, and/or grants. Without people physically in them, museums will take a hit financially. However, with these struggles come new opportunities. Museums will always have a huge concern with people that do not come to visit, and this is now a chance to reach them. The longer self-isolation continues the more people will be online, sharing content, and looking for new things to do. Museums could be reaching more audiences than they ever thought, and this pandemic may change many things about the industry. Only time will tell exactly what.

Just remember everyone is struggling and we can help each other by being kind, careful, and staying connected. 

11 November 2019

LEST WE FORGET: HOW WE WILL REMEMBER

Muse News | Michelle Wright


In honour of our past, present and future soldiers, today’s article will take pause to look at Remembrance Day and how you can pay your respects to their sacrifice. This year marks the 100th anniversary of Remembrance Day.
 
War memorial
War Memorial by Wiborg. Source
Last year marked the 100th anniversary of the signing of the armistice between the Allies and Germany in Compiègne, France, marking the end of hostilities of the First World War. This armistice took effect “at the 11th hour of the 11th day of the 11th month” and on November 11, 1919 the first annual Armistice Day Ceremony was observed at Buckingham Palace. During World War II many countries changed the name to Remembrance Day. Ceremonies happen today all over the world in honour of the brave men and women who gave their lives and those who continue to serve in areas of conflict.

But where do these ceremonies take place? They happen at cenotaphs, in schools, community centers and parks, but they also take place in museums. Museums that first come to mind are military or war museums, for example the Canadian War Museum in Ottawa, which has events all day today. There is a growing concern that once the generation who can remember the war firsthand pass on, how will their stories be told and how do we preserve them? Museums call upon those who remember and their descendants to help tell stories. Two examples of this are right here in Toronto at the Mackenzie House Museum and the Spadina House Museum, with another coming to Museums of Mississauga in September 2020.

From now until January 31, 2020 the Mackenzie House will host the exhibition Eaton’s Goes to War: Family, Memory & Meaning. The exhibition shows the lives of some of the 3327 employees of the T. Eaton Company from Toronto and Winnipeg who enlisted in World War I. John Craig Eaton, the president of the company, offered to pay his employees wages to enlist. Each time one of these employees did so, their photo was taken and displayed in the Toronto store. About 2000 photographs of these men survive and are preserved in an online gallery created by the Archives of Ontario. Last year, a call was put out to the public to visit the collection and share personal stories of these soldiers and their families. The response was overwhelming and the museum could not display all of them, however the Archives of Ontario are working to publicize them through their stories online.

Eaton's Goes to War, Mackenzie House Museum. Source.
Today from 1:00 pm - 3:00 pm the Spadina House Museum is hosting a pop-up museum-style event, inviting the public to bring mementos and stories about conflict to share them with others. This type of event is an invitation to the public to become a part of the museum. All are welcome, even if they do not have a keepsake or story. Following the event, there will be a special tour of the Spadina House’s involvement in World War I, particularly Percy Austin's experiences as a solider and Margaret Constance Austin's experiences as a nurse.

Coming back to the GTA September 15 to December 15, 2020 the Museums of Mississauga will be host to the traveling exhibition called WAR Flowers. This exhibition made its way to Toronto  January 24 to March 16, 2018 at the Campbell House and was written about by Serena Yplaar & Amy Intrator as a Weekend Edition called INTERPRETATION IN BLOOM: WAR FLOWERS AT CAMPBELL HOUSE MUSEUM. The exhibition is a collection of letters and pressed flowers from Lieutenant-Colonel George Stephen Cantlie sent to his infant daughter Celia during World War I. Cantlie would pick a flower, no matter where he was on the front, whether it was a dandelion, rose, or a poppy, and press the flower to send to his daughter. The letters that accompanied them were often short with a small description of where the flower was from and he would sign it to his “Wee Celia”. The collection was passed to the Stewart Museum by Celia’s niece and has become the center of a multi-sensory experiences, telling this story along with that of ten other Canadians who were involved in the War. These stories show the ability to find beauty and hope, even in the darkest of times.

One of the original flowers featured in the WAR Flowers exhibit. Photo courtesy of Amy Intrator.

These three exhibitions are just the tip of the iceberg for what is going on today. For other ceremonies and events you can visit the Cit of Toronto, Ontario.ca, or google events near you.

I will leave you with some well known words;

In Flanders fields the poppies blow 
Between the crosses, row on row, 
That mark our place; and in the sky 
The larks, still bravely singing, fly 
Scarce heard amid the guns below. 

We are the Dead. Short days ago 
We lived, felt dawn, saw sunset glow, 
Loved and were loved, and now we lie, 
In Flanders fields. 

Take up our quarrel with the foe: 
To you from failing hands we throw 
The torch; be yours to hold it high. 
If ye break faith with us who die 
We shall not sleep, though poppies grow 
In Flanders fields. 
                                                       -In Flanders Fields, John McCrae