Showing posts with label Throwback Thursday. Show all posts
Showing posts with label Throwback Thursday. Show all posts

26 March 2020

SOMETHING TO MAKE YOU SMILE

Throwback Thursday | Emma Puddicombe


We’ve all heard at some point the snarky comment, “Take a picture, it’ll last longer.” Well, here are a few times I am so thankful a camera was present. Some moments are just too amazing to not capture, and these are moments I could look at all day. In difficult times it’s important to find something that brings a smile to your face, and these photos are sure to do that. 


Canada. Department of National Defence / Library and Archives Canada / PA-134093 

Able Seaman Daniel Ralph with the mascot of the patrol vessel Allaverdy, of the Fishermen’s Reserve, Esquimalt, British Columbia, 8 November 1941. A tiny cat sitting in a sailor’s cap is too cute a photo to not keep! The juxtaposition of a cat being on a ship is what really makes this photo stand out in the first place. However, the fun fact behind it is that cats were regular pets aboard naval ships in wartimes. They were highly valued for their rat-catching abilities and many felines were brought aboard ships to fight against rodents who would spread diseases and infest the crew’s rations.

CWM ARCHIVES / ARCHIVES DU MCG: Photo Archives 52A 4 29.60 / 20030014-220

See! Cats everywhere! Here we have a photograph of a ship’s kitten named Tiny sitting in its hammock below deck with a sailor in the background. The cat's hammock is marked "TINY MX-0001".


Penguins going for a stroll with a keeper at the London zoo in the 1930s. I only recently came across this photo, but it never fails to make me smile when I see it. Perhaps it’s the absolute trust the zookeeper has in the penguins, and faith that they will not run away. Or maybe it’s the thought of these wild animals just toddling along down the road with their little waddle. Especially now, it reminds me of the Chicago Shedd Aquarium’s decision to let their penguins roam free while the premises are closed to the public. Check it out on Twitter!

George Metcalf Archival Collection Canadian War Museum 20020173-001 

Members of the Royal Canadian Air Force’s 414 Squadron are greeted on a runway by their loyal mascot. Man’s best friend, right? Just like cats, dogs were often adopted as mascots during wartimes. They were meant to bring up the spirits of soldiers during hard times and provide comfort, something they are still good for today. Don’t forget! Monday, April 20th to Sunday, April 26th is Museum Week this year, so if you want to recreate a photo like the Canadian War Museum did last year, try this one! 

Photo Courtesy of Emma Puddicombe 

Paul Puddicombe (Left), my dad’s father, with his best friend Scrivens (Right) in London’s Trafalgar Square surrounded by pigeons. The sheer abundance of pigeons at their feet, and the fact that neither they nor the two men above them are all thrown by the situation, really makes this photo great. Even more interesting is the fact that this location was once well known for being swarmed by feral pigeons 24/7! They harbored no fear for humans, and eventually “Can I feed the pigeons?” became a serious question for those planning their summer vacations in this area. 

Photo Courtesy of Emma Puddicombe

Albert Frederick Gurr, my mom’s grandfather, with his cat (one of many). In times of great stress, animals have been known to calm those around them simply by being there. This cat seems to be very comfortable where he is, just perched on the shoulder of his owner. No matter what your stance is in the age-old debate “Which is better, cats or dog?” you must admit that this cat is pretty chill.


Through these tough times, it's important to remember that not everything needs to be taken seriously. Take some time to find little things that make you smile just because they do! 

27 February 2020

RECLAIMING THE MYTH: PERSEPHONE

Throwback Thursday | Emma Puddicombe

Sorry kids, storytime is over. In this episode of ‘Throwback Thursday,” I want us to turn on our brains and consider this the varying interpretation of myths. To illustrate my point, I'll use the myth of Persephone. Consider this: 

Persephone was not kidnapped by Hades and forced into becoming queen of the Underworld. 

It's time to throw it back to ancient Greek storytime and discuss how this old myth is due for an update and is being reinterpreted in digital spaces such as Tumblr.

Poster of Hades and Persephone (Source)

WHAT IS A WRITING PROMPT
A brief passage of text that provides a potential topic idea or starting point for an original form of writing. It can be turned into multiple different stories, depending on the writer.

WHAT IS A RASHOMON-STYLE STORY
When the same event is recounted by several characters, and the stories differ completely. Each version is specific to the individual’s perspective.

Consider this: A young girl is on a mission to save her homeland and family. She begins her mission in secret by running away into the night. She is accompanied by a lovable and sarcastic sidekick. She sings a song about not living up to the expectations of being the “perfect daughter”. She tries to do what is expected of her, but her true desires always pull her back, causing strain and disappointment from her parents. Her family includes her cooky grandmother, her loving mother and her father, a prideful man who believes his choices will keep his family safe.

Am I talking about the 1998 Disney movie Mulan or the 2016 Disney movie Moana?

  Image of Mulan (Source)                                           Image of Moana (Source)

SO WHAT
When emotion, opinion, adjectives, and adverbs are added into a bare-bones sequence of events (or a prompt), the resulting stories can be altered by whoever is telling it to become whatever they want it to be (Rashomon-styled).

When there are multiple different versions of a story, it can be difficult to discern what actually happened. Think about a courtroom where multiple different versions of the same story are told. Efforts must be made to discern what actually happened. The listener must look past emotion and opinion and look only at the 100% facts of what actually happened.

APPLYING THIS TO PERSEPHONE
In the well-known version of the myth, Persephone is hidden away in the countryside by her mother, Demeter, to protect her from the gods and humans who wished to take her maidenhood. Years later, Persephone is kidnapped by Hades and brought to the Underworld. Upon discovering her daughter is missing, Demeter searches the globe for Persephone until the god Helios finally tells her what happened. Demeter then goes to Zeus and begs him to bring her daughter back. Unfortunately, Hades tricks Persephone into eating pomegranate seeds, which means she must remain in the Underworld forever. A deal is then made, stating that Persephone must stay in the Underworld for 6 months of each year, and may return to her mother for the other six months.

While this myth is well known, it also holds many inconsistencies in its retelling. Did Hades trick Persephone into eating the pomegranate seeds or did she unknowingly choose to eat them? Did Hades come up with the deal or was the titan Rhea sent by Zeus to broker the deal? Were they pomegranate seeds or grape seeds? The myth can change depending on who is telling the story.

The main consistency is Persephone's portrayal as a powerless victim to Hades. However, when considering writing prompts and Rashomon-style stories, this portrayal becomes questionable. Since myths were oral traditions, they were constantly subject to change and the true first version is not 100% known. We can only go off what was written by ancient writers (Traditionally all men, a gender that throughout time has portrayed women as weaker individuals with little choice or opinion, who need to be saved).

To determine what actually happened to Persephone, let’s take a look at the 100% factual-to-the-point-where-they-cannot-be-argued-against sequence of events:

Image courtesy of Emma Puddicombe

Now imagine giving this as a prompt to a creative writing class full of individuals who have never heard any version of this myth. What types of stories do you think would be written?

Moreover, consider how similar the myth of Persephone is to that of the 2010 Disney film Tangled. Both stories follow a daughter who is hidden away by her mother to "protect" her, she is brought to a new world by a boy who appears to have taken her away from her home and ends with an action that changes their life forever (eating pomegranate seeds vs. getting a haircut). Given these similarities, it's possible that Persephone was actually more like the independent-minded Rapunzel.

       Image of Rapunzel from Tangled (Source)            Portrait of Persephone by Elisa Tulli (Source)      
I understand why the kidnapping version of the myth is so well known. It showcases the perspective of Greek women at a time when fathers held control of who and when their daughters would marry. The trauma and suffering experienced by Demeter and Persephone are meant to represent the experiences of the mothers and daughters during this period in time. The story fits the needs of society during this time.

In the 21st century, however, a time when women in many parts of the world have more control over their lives, this myth’s intention is no longer applicable. I move that Persephone be recognized as a woman who had the ability to choose what she wanted and had control over what happened to her. Additionally, if you search “Persephone” on social media platforms (i.e. Tumblr) you will see that this is how she is continuously viewed by women today.

Tumblr post by Susiephone (Source)

Emotion, opinion, adjectives, and adverbs are powerful tools that can change a story drastically. The next time you hear a story, don’t be afraid to take a critical look at what you are hearing. A story that suits one era’s society, might need a new perspective today. People are encouraged to take what they need from the stories they hear, so remember to determine the facts of what happened first, then consider what a story can mean to you.

30 January 2020

A CLASSICAL CALENDAR FOR 2020

Throwback Thursday | Emma Puddicombe

Happy New Year! If you’re anything like me, you believe that January is simply a test drive and the new year doesn’t officially begin until February 1st. With this in mind, it’s time to start planning your social calendar for the next 11 months. Here are some forgotten holidays and festivals from Ancient Rome and Greece to mark your calendars for 2020!

Photo courtesy of Emma Puddicombe

FEBRUARY 11 - 12: ANTHESTERIA (GREEK)


What it is: This three day festival, in honour of Dionysus, the god of wine, celebrated the beginning of spring and the maturing of the wine stored at the previous vintage. It was believed that during this time the dead would also come up from the underworld and walk abroad. On the first day (Pithoigia or “Jar Opening”), the casks from the previous vintage were opened and decorations were put up. The second day, (Choës or “Wine Jugs”), was the party day, full of drinking wine, wearing bright colours and visiting friends. The third day, (Chytroi or “The Feast of Pots”), was meant to offer pots of seed or bran to the dead and remember them.

How to celebrate it in 2020: While I’m not condoning a three-day drinking binge, I suggest getting together with some friends, getting dressed up in bright colours and drinking wine! If that’s not quite your scene, some grape juice and a couple decorations at home will do as well.


FEBRUARY 13 - 21: PARENTALIA (ROMAN)

What it is: This week-long celebration was in remembrance of the dead and was a time of quiet, personal reflection for the ancient Romans. On the last day of this week, families would visit cemeteries and place offerings on the graves of those they’ve lost. This was in hopes of stopping the dead from feeling hungry and returning to plague the living.

How to celebrate it in 2020: Think of the loved ones you have lost and spend some time remembering them and how they touched your life. You could do this by making one of their old recipes, watching one of their favourite movies, or something else to help you feel closer to them.


APRIL 21: PARILIA (ROMAN)

What it is: While this day was originally a day to honour the god and goddess Pales, protectors of the flocks and herds, it later turned into a giant Birthday for the city of Rome. On this day, the citizens of Rome would make bonfires, hold great outdoor feasts, and, after the second century AD, take part in friendly competition by holding games.

How to celebrate it in 2020: Even though you’re not in Rome, do as the Romans do! This year, have an Italy themed party with friends, complete with a bonfire, lots of games (card, board, drinking, whichever you prefer), and have a potluck full of your favourite Italian foods.


APRIL 28 - MAY 3: FLORIALES (ROMAN)

What it is: This springtime festival was a celebration to honour Flora, the goddess of flowers, vegetation, and fertility. Now considered an ancient ‘May Day’ (a public festival celebrated on May 1st with dancing, singing, and cake), the ancient Romans would celebrate by wearing colourful clothing, decorating everything with flowers, holding games and putting on theatrical presentations.

How to celebrate it in 2020: May Day is still a recurring public holiday in Europe, so I recommend taking part in similar festivities wherever you are. Dance to your favourite music, sing out loud, wear colour clothing and surround yourself with your favourite flowers! You can even plant some flowers or vegetables, if you want to feel a little more Roman.


JULY 23: NEPTUNALIA (ROMAN)

What it is: This day was originally celebrated by the men who worked on the barges and docks of the Tiber river in Rome to honour Neptune, the god of the sea. In the late July heat, these men would build huts out of branches and leaves where they would spend the day relaxing, eating, drinking and amusing themselves.

How to celebrate it in 2020: While you may not be a barge or dock worker, it can never hurt to honour an ancient god. Take the day and build a fort (pillow, blanket, box, whatever you have on hand) and take some time to get away from the summer heat.

*Pro Tip: Here’s a good way to keep cool AND still have a fort.


AUGUST 23: VOLCANALIA (ROMAN)

What it is: This holiday was in honour of Vulcan, the god of fire and was more of a precautionary celebration. The ancient Romans would build large bonfires and throw in live fish or small animals as offerings to Vulcan. This was during the time of year when forest fires were expected and there was a fear that the stored grain or crops would be destroyed.

How to celebrate it in 2020: You have two options here. First, you can simply have a bonfire with friends and consider it a precautionary celebration to prevent the metaphorical fires of going back to school in September. The second option, if you want to take it up a notch, is to throw in a few offerings (goldfish/animal crackers) and say a prayer of protection for locations around the world that are threatened by forest fires every year.


DECEMBER 17 - 23: SATURNALIA (ROMAN)

What it is: This week-long festival was in celebration of the Roman mid-winter solstice. It began with a sacrifice at the temple of Saturn, followed by a public feast and gift-giving (sound familiar?). The ancient Romans would wear beautiful holiday clothing, decorate their homes, and exchange gifts. Most notable, slaves were absolved of their duties and would switch roles with their masters.

How to celebrate it in 2020: During this week in December, pick a night and have Friends-mas! Get together with your friends and celebrate the holiday season together by decorating (either an actual house or a gingerbread house) getting all dressed up in fancy clothes and exchanging gifts with one another.

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Remember, being successful doesn't mean working yourself half to death. Be sure to set some time aside to relax and take in the new year with the people who make you happy. While many of these festivals and holidays from antiquity were meant to honour specific gods, they were also meant to be celebrated with others and connect people with one another. If you are to take anything away from this article, hopefully, it's this!


12 December 2019

SHARING STORIES FROM THE SEASON OF GIVING

Throwback Thursday | Emma Puddicombe

As the semester comes to a close and the holiday season begins, I thought I would look back on this time of year and learn more about the different traditions the students in our program do with their families. Read ahead for some Museum Studies style holiday traditions and to get into the spirit of the holiday season!


“My grandma handmade this advent calendar for my family. For as long as I can remember, my brother, sister and I have always loved putting a nativity character up. When Christmas Day came around, it would turn into the hunger games between the three of us as to who got to put baby Jesus up. We still do this tradition to this day, and despite us all being in our 20s, it is still a major competition to see who gets to put baby Jesus up on Christmas morning.”
- Natalie Heaton, 2nd year MMSt (Photos courtesy of Natalie Heaton)

“For Christmas, my dog, Robbie, “buys” my sister and I socks! When he was a puppy he liked to steal socks so it seemed fitting.”
- Emily Finbow, 1st Year MMSt (Photos courtesy of Emily Finbow)

“For as long as I can remember, my best friend and I's families get together on Christmas Eve every year and we eat Tourtière and lobster fritters! The tradition is even sweeter now because my friend goes to Dalhousie and Christmas is her big break for the year when she comes home.”
- Sabryna Ekstein, 2nd year MMSt (Photo courtesy of Sabryna Ekstein)


“In true German tradition, Christmas Eve is the big day for my family. We have a light dinner, including my Dad's favourite German food tradition from his childhood, pickled herring (he's definitely the only one that eats it). Then we head off to church for a Christmas Eve service and carols. On our way home, my Dad makes a point to delay our arrival by driving through our surrounding neighborhoods to see the Christmas lights. As kids, this was exasperating because we were waiting to go home and open presents, but now it has become a more relaxing and welcomed excursion. The drive would always be long enough to ensure Santa had time to deliver our presents, and, lo and behold, every time we arrive home, to this day, Santa has been there.”
- Jordan Vetter, 1st year MMSt

“Every year my family wears matching outfits and we go to the distillery district together.”
- Savannah Sewell, 2nd year MMSt (Photos courtesy of Savannah Sewell)

“For a long time, my family followed a Dutch tradition. Everyone in the family gets a big chocolate letter of their first initial. They’re huge, so it was always a race to see who could eat theirs the fastest without feeling sick!”
- Martin Bierens, 1st year MMSt (Photo courtesy of Martin Bierens)


Source

“For the past 3-4 years, my family has been going axe throwing during our holiday break. We have so much time off (especially me and my sister, because we're both in university) that by the time the winter break ends, we're bored out of our minds. One year, we decided to go axe throwing, just for something to do. It turns out that my sister is actually really good, and my whole family really enjoys it! We're not the sportiest family, but we're all pretty good at axe throwing.”
- Emma Myers, 2nd year MMSt

“Every year my step-mom knits my cat, Biggie, a new outfit, and hat.”
- Lindsay Chisholm, 1st year MMSt (Photos courtesy of Lindsay Chisholm)

“As a tradition, my family and I always drive out to Alliston, Ontario to the Drysdale tree farm to cut down our Christmas tree. We also always watch It's a Wonderful Life after Christmas Eve mass.”
- Matt Dominico, 2nd year MMSt (Photos Source)


Source

"The morning is spent opening presents under the tree (stocking stuffers are opened first of course) and then we eat brunch and take our dogs out for a family walk around our town’s golf course. We also go visit my uncle who lives in a long-term care home and bring him hot chocolate. Later when we sit down for dinner we open Christmas crackers and read the joke/trivia and play with the toy that comes inside and wear the paper crowns while we eat. To end the night we usually drink tea and eat sweets while playing board games or card games.” 
- Vicky Jamieson, 1st year MMSt 


“The only tradition my family seems to have is our "strike" against turkey. Basically, we got so tired of turkey after Thanksgiving we decided to ban it at Christmas and instead eat lamb or ham. It's just the 3 of us so it's an easy consensus.” 
- Elizabeth Cytko, 3rd year CDP

“My family isn’t super festive, but the holidays are the only time we're all in one room. In addition to leaving snacks for Santa, my family would also put out a bowl of baby carrots for the reindeer. One year they forgot to bring it back in and I cried because I was worried the reindeer would go hungry.” 
- Georgia McKee, 1st year MMSt (Photos courtesy of Georgia Mckee)


“Every Christmas morning, while my mom would make breakfast, my dad would blast his Kenny G Christmas CD to wake me and my brothers up!” 
- Denise Tenio, 1st year MMSt

“On Christmas Eve, my family has a réveillon, or a Christmas Eve party (Derives ‘réveil’, meaning "waking", because everyone who is invited stays until midnight or later). We make traditional French-Canadian dishes, and all our neighbours, family and friends are invited. My dad even sets up a chocolate fountain! Every year our invitations feature a different Christmas movie character and people guess who it is. It’s my favourite part of the holiday!" 
- Emma Puddicombe, 2nd year MMSt (Photos courtesy of Emma Puddicombe)

Happy Holidays to all of you! 





13 July 2018

IT'S FRIDA FRIDAY

FLASHBACK FRIDAY

BY: CASARINA HOCEVAR

This week’s #FlashbackFriday is turning into #FridaFriday, to honour one of my favourite historical ladies, Frida Kahlo. Given last Friday, July 6th was Kahlo’s birthday, and today marks the 64th anniversary of her death, the timing coincides well for #FridaFriday. Frida's image is continually replicated in art and pop culture. The colourful outfits, elaborately braided hair, and unibrow matched together on t-shirts, earrings, in street art, as costumes and as fashion-inspiration, are familiar tributes to her recognizable imagery. However, despite her repetitive cultural image, the details of her life and the narratives weaved into her art are often overlooked. This #FlashbackFriday hopes to illustrate a bit more about this revolutionary lady.



Born in Coyoacán (Mexico City) on July 6th, 1907 as Magdalena Carmen Frida Kahlo Calderón, Frida grew up with her father, Guillermo (Wilhelm), her mother, Matilde, and her three sisters, Matilde, Adriana, and Cristina. Frida also had two elder, half-sisters from her father’s first marriage. Due to financial difficulties and ongoing health issues, Frida’s early life was turbulent. Throughout those years, both her parents had health problems that disrupted the steadiness of their life. At the age of six, Frida was diagnosed with polio, the result of which would be the imbalance in her legs, delayed education, and bullying by peers.

Yet, despite these trails, Frida was an active, curious and energetic girl, and at times, rebellious. As part of her polio recovery, she became physically active, despite the unusualness for girls to be playing sports. She enjoyed aiding her father with his photography, and was known to carry a tense relationship with her devout mother as she skipped out on her catechism. She excelled at school, and intended to study medicine. Throughout her teens, she became politically conscious and active. Meanwhile, she also engaged herself in drawing, poetry, and worked for a family friend, as an engraver’s apprentice.

In September of 1925, Frida and her long-time boyfriend, Alejandro Gómez Arias, were in a severe bus accident, resulting in Frida being bedridden for several months. The injuries would prove to have life-altering consequences, as three of her spinal discs were dislocated, and numerous bones had been fractured. The pain, and the time and money spent in recovery, would limit her educational pursuits and further distressed the struggle of the Kahlo Calderón family. Even with her recovery, the impact of her injuries would linger onward throughout her life.

While Frida was still recovering, she quickly resumed working, concerned for her family. It would be in this new period, her relationship with Diego Rivera would blossom (they had previously met on brief occasions in her teens). A seemingly unlikely couple, Rivera reportedly admired and respected Kahlo’s opinion; Kahlo was intently interested in Rivera’s work and politics. They married in 1929, divorced in 1939 and remarried again a year later. Their relationship was rocky and emotionally intense, as Rivera’s infamous womanizing continued, Kahlo suffered from multiple miscarriages and the couple moved throughout the United States.


Kahlo also engaged in her own extramarital affairs (including purported affairs with Georgia O’Keefe and later, Leon Trotsky), throughout both marriages, and continued to remain politically active in spite of her health problems. Regardless of her turbulent life, Frida seemed inexhaustible in her work, politics and personal life, which were often entangled.





Frida was an active member of the Communist Party, and her politics, like her relationships, were illustrated throughout her paintings. Notably, her and Rivera, hosted Leon Trotsky and his wife, Natalia, while they sought asylum. Her political consciousness continued up until her death, where she participated in a political march only a couple weeks before her death, despite her poor health.

The latter years of her life were marked with increasingly persistent health complications, which contributed to bouts of depression and anxiety. In 1953, her right leg was amputated due to infection, commencing a downward period in her mental well-being before her death on July 13th of 1954.




Frida’s legacy is vibrant with her dedication to Mexico, her experimentation in personal style, both in fashion and in art, her prolific letter writing, her integration of ex-votos, portraiture and still life, political activism and of course, her passionate love.

Frida's life has been written about extensively. Her home in Mexico City, known as the Blue House was made into a museum and is still open today for guests to visit.

15 June 2018

MEMORY X MURALS

FLASHBACK FRIDAY

BY: CASARINA HOCEVAR

This summer I have been working with the Scarborough-based non-profit, Mural Routes, in documenting mural projects around the Greater Toronto Area into one comprehensive archive. Due to their rather temporal state - and the fact I haven’t lived in Toronto since its earliest commercial murals of the late 19th Century - creating a comprehensive archive of all the city’s murals has been a bit of tricky task. But it has also prompted some interesting reflections on how murals echo both private and public memories. This week’s Flashback Friday will unravel how local history is embedded in our city’s public artwork.

"Bomb Girls" by OMEN in collaboration with StreetARToronto and Mural Routes, near Warden x St. Clair East in Scarborough. 2014. Photo courtesy of Mural Routes. 

In many murals, especially those commissioned by the city or in partnerships with local BIA (Business Improvement Area), the themes and content of murals explicitly relay “heritage moments” or local legacies. A clear example of this can be found from the 1990s, when Mural Routes commenced their first series of murals along Kingston Road in Scarborough known as the Heritage Trail. Another example would be the several murals done by John Kuna for the Village of Islington BIA in Etobicoke from 2005 to 2014. These murals feature a range of characters and activities from Islington’s past, from families tobogganing to The Guelph Radial Line to local church communities. Such murals serve as tributes to the past, becoming a visual representation of collective community memories.

However, many of Toronto’s murals were not meant to be historical in nature, yet, their memory in the minds of local residents exist as landmarks of the city’s past. This is particularly evident amongst some of Toronto’s commercial murals. Until a few years ago, when the Church Street Mural Project added several new murals to the Church and Wellesley community, a large Molson Canadian advertisement was featured on Church Street as a mural known colloquially as The Gay Cowboys. Despite its obvious commercial purposes, the mural was recognized as a landmark in a generation of Toronto’s gay community. Recently, when Mural Routes’ held their archive exhibit at 389 Yonge St., several residents of the Church-Wellesley area shared their memories of the Gay Cowboys, revealing that in spite of its loss, the mural lingers in memory as part of the neighbourhood’s historical character.

Alternatively, many contemporary murals which aim to capture the diversity of Toronto’s communities (and perhaps, also tackle the lack of representation in Toronto’s public art) remind us of the multitude of intersecting communities that contribute to its vibrancy. For example, In July 2017, Parkdale held the event Women Paint, organized by Bareket Kezwer and StreetARToronto, where muralists came together to paint their unique and contrasting narratives of being womxn.




Concurrently, other muralists, such as Philip Cote have been injecting the mural scene with art representing Indigenous history and culture. Last summer, Cote finished a mural near Old Mill Subway Station which illustrates Indigenous knowledge, that has been preserved through oral histories. Such projects are laced with narratives of the Toronto region, both contemporary and historical, which indeed beautifully draw attention to a multifaceted, complex urban identity that is often lost in the haze of gray buildings and in our hustling commutes.





Then, within the production and life of a mural, lies another source of memory. Some murals have become iconic features to Toronto, recognizable to city dwellers across demographics. The Rainbow Tunnel in the Don Valley Parkway (DVP) is an excellent example of this. Visible from the highway, a pedestrian tunnel is vibrantly painted as a rainbow - ensuring pass-byers of its visibility regardless of the time of year. First painted in the 1970s by Bc Johnson, community members came together to restore the mural in 2012-2013, thus, sharing in a collective effort to preserve its mural memory. This Saturday, June 16th, Mural Routes will be completing touch-ups on Rainbow Tunnel as maintenance.





Rainbow Tunnel undergoing its restoration in 2012-2013. Photos courtesy of Mural Routes' Archive.

While the intentions and longevity of murals differ greatly, they share a common connection to community memory. Murals engage audiences with their surroundings, provoke new ideas to recollect, and stir our consciousness of another time.

18 May 2018

THE EVER ENDURING CASE OF TULIPMANIA

FLASHBACK FRIDAY

BY: CASARINA HOCEVAR

Abbotsford Tulip Festival, April 2018. Photo courtesy of Casarina Hocevar. 
This week marks the beginning of Ottawa’s famous annual Tulip Festival. So in celebration of Spring, our Flashback Friday will delve into the history and heritage of the tulip festival.

A little history…

In 1953, Ottawa hosted its first tulip festival at the suggestion of photographer Malak Karsh (brother of Yousuf Karsh). The choice of flower was symbolic: 100,000 tulip bulbs were given to Ottawa by the Netherlands at the end of WWII, as a gesture of thanks, friendship, and peace.

Throughout the Second World War, Ottawa hosted the Dutch royal family while the Netherlands faced invasion and occupation. Princess Juliana, who was the only child (and heir) to Queen Wilhelmina, gave birth to her daughter in the Ottawa Civic Hospital, in January 1943. Part of the hospital was given temporary “extraterritorial” status in the city, thus, allowing the newborn Princess Margriet Francisca to receive Dutch citizenship. The family remained in Ottawa for four years, until the Netherlands was liberated from Nazi forces in 1945.

Shortly after, Princess Juliana arranged the 100,000 bulbs to be given to the capital as a gift, with additional bulbs being sent each year after, known as “the Tulip Legacy.”

A little more history…

While Canadian-Dutch relations provide us a foundation for understanding the origins of Ottawa’s tulip festival, the contemporary craze for tulips isn’t particularly new.

Wood engraving by Conrad Gesner, 1561. Source.
In the 16th Century, tulips were introduced to the Dutch from the Ottoman Empire. Their vibrant colours and rarity sparked great interest. This interest soon became an obsessive fascination shared widely in Dutch society by the 1630s. The desire grew so intense that tulips became a form of currency, creating a unique economic bubble which drove the price of tulip bulbs to unreasonable ranges. Unsurprisingly, the “tulipmania” bubble broke near the end of the 1630s, resulting in a market crash.

As professor Anne Goldgar notes throughout her book, Tulipmania, the legacy of tulipmania has been written and researched about extensively in articles, novels, and plays, telling us of the enduring public fascination for tulipmania. Of course, the fascination in tulipmania’s legacy is not simply in the beauty of the flowers themselves, but in the way in which the flowers influenced a society so deeply.

From 17th Century Dutch markets to the 18th Century Ottoman court, tulips once again become an icon for luxury and consumption. During what was known as the Ottoman Empire’s Tulip Period - an era of economic growth and increased material consumption - tulips appeared in prints, textiles, paintings and throughout markets and gardens. And as with the Dutch tulipmania, tulips in the Ottoman empire also saw rocketing prices for bulbs and flower orders, until state regulation was enforced on the market. Once again, tulips proved to have a captivating essence...

16th Century Ottoman textile featuring tulip design. Source.

Contemporary tulipmania…

While today’s tulipmania has not caused any recent market crashes, it certainly seems to captivate the spaces and imaginations of social media users. Social media has certainly made it easier for flower festivals and their visitors to relish in the beauty a little longer. Below are some posts made by festivals organizers and visitors worldwide.

Tulip festivals across Canada:

Ottawa, ON: May 11th - 21st



Abbotsford, BC: April 9th - mid-May



Tulip festivals worldwide:

Keukenhof Holland, Netherlands: March 22nd - May 13th



Istanbul, Turkey: April 1st - 30th

A post shared by Evgeniya Yüksel (@jenny_xel) on


Holland, Michigan: May 5th - 13th

A post shared by Tulip Time Festival (@tulip_time) on


Srinagar, Kashmir, India: March 25th - April 15th

A post shared by Boy ate the world (@boy_ate_the_world) on


Tesselaar (Melbourne), Australia: October 8th - 14th

A post shared by #girlsthatwander (@girlsthatwander) on