Showing posts with label Monuments. Show all posts
Showing posts with label Monuments. Show all posts

19 August 2021

WHAT WE CHOOSE TO REMEMBER: REMOVING MONUMENTS AS A STEP TOWARDS RECONCILIATION


Breaking the Glass Case | Megan C. Mahon
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Content Warning: Residential Schools


On July 1st, in my hometown of Winnipeg, Manitoba, a rally was held in support of Indigenous peoples and residential school survivors in lieu of Canada Day celebrations. During this peaceful rally, a statue of Queen Victoria which sat on the grounds of the Manitoba Legislature was toppled. Participants wrapped the statue in ropes and covered it in red paint, and brought the old queen of England crashing to the ground. In her place was left a sign which read, “We were children once. Bring them home.” Today, a month and a half later, the statue is gone but the plinth remains, covered in red handprints as a poignant reminder of the so-called country of Canada’s colonial past.


Protestors topple a statue of Queen Victoria at the Manitoba Legislature. Source: Travis Golby, CBC. https://www.cbc.ca/news/canada/manitoba/queen-victoria-statue-winnipeg-1.6087684


Predictably, after this happened, a group of people who had likely never given this statue a second glance came out of the woodwork, arguing that Vandalism Is Bad and Statues Deserve Human Rights. Encouragingly, they were met with a great number of detractors who countered that the statue of Queen Victoria was a horrible reminder to Indigenous peoples of Canada’s genocidal policies towards them, and that removing her likeness was a small step towards truth and reconciliation. I’m sure you know that this author – a white settler of British descent – believes that the latter view is the correct one. However, far more relevant to this discussion than the author’s views is the question: what’s to be done with this statue, now that history has finally caught up with it?

It needs to be noted that this is not the first time this statue has been subject to protests. In the summer of 2020, during a rally in support of Black Lives Matter, it was dashed in red and white paint. If this history is any indication, then Manitobans have already made their feelings about the statue perfectly clear. So, clearing the statue of its paint, removing the messages of support for Indigenous people from its plinth, and reinstating Queenie V isn’t an option. It would be a slap in the face to those fighting for truth and reconciliation (also, objectively speaking, the statue is an eyesore). What, then, is to be done with it?


Red handprints adorn the plinth where the statue of Queen Victoria once stood. Source: Gary Robson, CTV News. https://winnipeg.ctvnews.ca/statues-of-queen-elizabeth-ii-queen-victoria-toppled-at-manitoba-legislature-1.5493572


From a Museum Studies perspective, I would love to see this plinth remain as a marker in our history: a representation of the people’s will and a reminder to settler Canadians that Canada’s genocidal past is not past at all. The statue of Victoria can be melted for scrap, for all I care – it's not the important part anymore. The plinth, with its multitude of red handprints, can rest on the legislature along with other important figures in Manitoba’s history (most of which, it must be said, are white and male) as a call to action, and a reminder that until the truth is uncovered and reparations are made, there can be no reconciliation at all.

What are statues, after all, besides physical manifestations of that which a nation chooses to remember? A monument stands as a representation of history: a Sparknotes summary, if you will, of the most important bits. People can observe these relics and see what about their country’s identity is important enough to be cast in stone. By showing Queen Victoria, we were celebrating our history of British colonialism. By tearing her down, we were indicating that we no longer value what she represents. If the Manitoba government decides to leave the plinth as it is, red handprints and all – as I sincerely hope they do – it will serve as a marker of the chapter in our history where settler Canadians were forced to reckon with a past that has been not hidden, but rather ignored for far too long.

The most important thing that we can do about this statue, however, is to ask Indigenous communities what they believe should be done with it. There’s no situation where the status of reconciliation improves if Indigenous people are not consulted about the ways that the history of this land should be portrayed. In fact, it’s not just reconciliation that’s at stake: Indigenous people need to be included in all aspects of our decision making for the future of our world. Indigenous land and water defenders have been at the forefront of the fight against climate change for decades, including at Fairy Creek in Pacheedaht Territory. So, no, this issue isn’t just about an exceedingly ugly statue. It’s about ensuring Indigenous involvement in re-shaping the ways we view our past, so we can save our future.

Although there’s no word on what’s to be done with the statue as of yet, we can only hope that the Manitoba government – and governments all across Canada who are facing similar situations – will heed the words of those who tore Queen Victoria down: this statue no longer represents who we want to be. Let’s create new monuments, to a better and more equal future, together.



Further Reading

Devon McKendrick. "Statues of Queen Elizabeth II, Queen Victoria toppled at Manitoba Legislature."

Rachel Bergen. "Mother figure or colonial oppressor? Examining Queen Victoria's legacy after Winnipeg statue toppled." https://www.cbc.ca/news/canada/manitoba/queen-victoria-winnipeg-statues-residential-schools-colonialism-british-empire-1.6090322

Nia Williams. "What's happening in Fairy Creek? An explainer on the fight over B.C.'s old-growth forests." https://nationalpost.com/news/whats-happening-in-fairy-creek-an-explainer-on-the-fight-over-b-c-s-old-growth-forests.

"2 statues of queens toppled at Manitoba Legislature." https://www.cbc.ca/news/canada/manitoba/queen-victoria-statue-winnipeg-1.6087684



3 October 2017

MONUMENTS IN THEIR HONOUR: MEMORY AND LANDS OF OPPORTUNITY IN NOVA SCOTIA

AFRICAN CANADIAN HISTORY

BY: KENDRA CAMPBELL

“History is not the past, it is the present” - James Baldwin 

Last week’s exciting announcement from the Nova Scotia government served as a poignant reminder that the events of the present cannot be understood without a clear sense of the past. The province announced that it will spend $2.7 million dollars to help residents in historically Black communities obtain legal title to their land. The CBC summarizes the announcement and the issue here.
“The problem can be traced back two centuries, when the government gave plots of land to Black loyalists for their support during the American Revolutionary War and to Black refugees, former slaves who sought refuge after the War of 1812. The government, however, did not give deeds, which meant those who settled never officially owned the land they lived on” – Sherri Borden Colley, CBC News 
House at North Preston, Nova Scotia, 1934. Source.

I’m struck by the intergenerational nature of this issue. The actions, or inaction of some groups 200 years ago, have direct bearing on the lives of these residents. For many, the geography of these historically Black communities are not passive sites of memory, but rather actives sites of visceral meaning-making where the past and present tensions may reconcile.

Land Titles were among several action items noted in a recent United Nations Working Group report that addresses racial disparities and discrimination against people of African descent in Canada. One recommendation stands out to me: the report lists that the Government of Canada should
"take concrete steps to preserve the history of enslavement and the political, social and economic contributions of African Canadians by establishing monuments in their honour." 
Inside the new Black Loyalist Heritage Centre in Birchtown, Nova Scotia. Source.

Monuments function as sites of memory, as they are sites of power. This perspective was validated by the significant protests that erupted this summer. With respect to Nova Scotia, building new monuments could be part of a fundamental exercise in space reclamation. I’m excited at the prospect of a necessary intervention into Nova Scotia’s narrative. At a time when we are looking at monuments with greater scrutiny, it is critical that we question who controls the story and for what purpose. It is my hope that Nova Scotia’s example permeates into broader national narratives and encourages stories where multiple and at times conflicting voices can be heard and respected.

Museums should be at the forefront of this memory work. For many institutions, this is a land of new opportunity. Intimidating perhaps, but necessary in the current sociopolitical climate.

African Canadian history reveals much about our present reality. I look forward to exploring this juncture of past and present over the next several months. A gentle reminder that you need not wait until February to dig into these issues; here’s a sample of what’s coming up in Black History in the GTA.

BAND Gallery and Cultural Centre
Emerging Artists Showcase Featuring Gordon Shadrach
September 21-October 22, 2017  

Lucie and Thornton Blackburn Conference Centre
A Freedom-Seeker’s Toronto: Celebrating the Life and Times of Cecilia Jane Reynolds
October 18-19, 2017 (Details to Follow)