Showing posts with label remembrance day. Show all posts
Showing posts with label remembrance day. Show all posts

11 November 2019

LEST WE FORGET: HOW WE WILL REMEMBER

Muse News | Michelle Wright


In honour of our past, present and future soldiers, today’s article will take pause to look at Remembrance Day and how you can pay your respects to their sacrifice. This year marks the 100th anniversary of Remembrance Day.
 
War memorial
War Memorial by Wiborg. Source
Last year marked the 100th anniversary of the signing of the armistice between the Allies and Germany in Compiègne, France, marking the end of hostilities of the First World War. This armistice took effect “at the 11th hour of the 11th day of the 11th month” and on November 11, 1919 the first annual Armistice Day Ceremony was observed at Buckingham Palace. During World War II many countries changed the name to Remembrance Day. Ceremonies happen today all over the world in honour of the brave men and women who gave their lives and those who continue to serve in areas of conflict.

But where do these ceremonies take place? They happen at cenotaphs, in schools, community centers and parks, but they also take place in museums. Museums that first come to mind are military or war museums, for example the Canadian War Museum in Ottawa, which has events all day today. There is a growing concern that once the generation who can remember the war firsthand pass on, how will their stories be told and how do we preserve them? Museums call upon those who remember and their descendants to help tell stories. Two examples of this are right here in Toronto at the Mackenzie House Museum and the Spadina House Museum, with another coming to Museums of Mississauga in September 2020.

From now until January 31, 2020 the Mackenzie House will host the exhibition Eaton’s Goes to War: Family, Memory & Meaning. The exhibition shows the lives of some of the 3327 employees of the T. Eaton Company from Toronto and Winnipeg who enlisted in World War I. John Craig Eaton, the president of the company, offered to pay his employees wages to enlist. Each time one of these employees did so, their photo was taken and displayed in the Toronto store. About 2000 photographs of these men survive and are preserved in an online gallery created by the Archives of Ontario. Last year, a call was put out to the public to visit the collection and share personal stories of these soldiers and their families. The response was overwhelming and the museum could not display all of them, however the Archives of Ontario are working to publicize them through their stories online.

Eaton's Goes to War, Mackenzie House Museum. Source.
Today from 1:00 pm - 3:00 pm the Spadina House Museum is hosting a pop-up museum-style event, inviting the public to bring mementos and stories about conflict to share them with others. This type of event is an invitation to the public to become a part of the museum. All are welcome, even if they do not have a keepsake or story. Following the event, there will be a special tour of the Spadina House’s involvement in World War I, particularly Percy Austin's experiences as a solider and Margaret Constance Austin's experiences as a nurse.

Coming back to the GTA September 15 to December 15, 2020 the Museums of Mississauga will be host to the traveling exhibition called WAR Flowers. This exhibition made its way to Toronto  January 24 to March 16, 2018 at the Campbell House and was written about by Serena Yplaar & Amy Intrator as a Weekend Edition called INTERPRETATION IN BLOOM: WAR FLOWERS AT CAMPBELL HOUSE MUSEUM. The exhibition is a collection of letters and pressed flowers from Lieutenant-Colonel George Stephen Cantlie sent to his infant daughter Celia during World War I. Cantlie would pick a flower, no matter where he was on the front, whether it was a dandelion, rose, or a poppy, and press the flower to send to his daughter. The letters that accompanied them were often short with a small description of where the flower was from and he would sign it to his “Wee Celia”. The collection was passed to the Stewart Museum by Celia’s niece and has become the center of a multi-sensory experiences, telling this story along with that of ten other Canadians who were involved in the War. These stories show the ability to find beauty and hope, even in the darkest of times.

One of the original flowers featured in the WAR Flowers exhibit. Photo courtesy of Amy Intrator.

These three exhibitions are just the tip of the iceberg for what is going on today. For other ceremonies and events you can visit the Cit of Toronto, Ontario.ca, or google events near you.

I will leave you with some well known words;

In Flanders fields the poppies blow 
Between the crosses, row on row, 
That mark our place; and in the sky 
The larks, still bravely singing, fly 
Scarce heard amid the guns below. 

We are the Dead. Short days ago 
We lived, felt dawn, saw sunset glow, 
Loved and were loved, and now we lie, 
In Flanders fields. 

Take up our quarrel with the foe: 
To you from failing hands we throw 
The torch; be yours to hold it high. 
If ye break faith with us who die 
We shall not sleep, though poppies grow 
In Flanders fields. 
                                                       -In Flanders Fields, John McCrae 

10 November 2017

COMMEMORATION ON CAMPUS: THE UNFOLDING HISTORY OF THE SOLDIERS' TOWER

BEYOND TRADITION

BY: AMY INTRATOR

Today, the University of Toronto community will gather to commemorate those who lost their lives fighting for Canada. For the past 93 years the Soldiers’ Tower, the University’s war memorial, has provided a site of commemoration on Remembrance Day and every other day of the year. In today’s special edition of Beyond Tradition, I will explore the history of this “traditional” memorial that has been adapting and evolving for nearly 100 years.
 
Exterior image of the Soldiers' Tower. Photo courtesy of Amy Intrator.

The Soldiers’ Tower is a war memorial that features a monument, museum, and bell tower. The memorial honours the 628 members of the University of Toronto community who lost their lives during World War I, and the 557 members who lost their lives during World War II. The University of Toronto community includes students, staff, faculty, and alumni, and the memorial pays homage to each of these individuals through a stone memorial screen adjacent to the tower with the names of those who died in World War I. A memorial arch below the tower bears the names of those who died in World War II. 

The Memorial Screen with the names of University members who lost their lives in WWI. Source.

The cornerstone of the memorial was laid on November 11th, 1919, nearly 98 years ago today. The memorial is physically connected to Hart House, the non-academic centre for the University of Toronto community. The same day construction on the tower began, Hart House opened its doors as a space for students, faculty, alumni to come together outside the classroom. The tower was connected to Hart House as a way of connecting a dispersed university body to one central memorial. Amazingly, Hart House still serves as a centre for non-academic engagement and the Soldiers' Tower still stands at the crossroads of the University and the community at large. The Soldiers’ Tower was “complete” as of 1924 and became the second tallest war memorial in Canada.

Although the building was physically "complete" in 1924, the Tower is an active memorial so its meaning is always in transition. While some museums present a narrative of the past with a clear start and finish, many memorials shift and adapt to serve their audiences over time and bring memory into the present.

The Tower may have been physically completed after World War I, but its identity as a memorial shifted again after World War II. The memorial physically expanded to include the names of fallen soldiers on the outside archway and the memorial's bell tower was expanded to include additional carillon bells in honour of those who died in the World War II. The Second World War also shifted the memorial’s identity. After World War I, also known as the Great War, the world had never anticipated another war of similar magnitude, but World War II shattered this illusion of a single tragic world war. Similarly, World War II forced the Soldiers’ Tower to shift from a memorial in honour of a single tragic event, to a memorial that honoured soldiers across several decades and several wars.

The Memorial Arch with the names of University members who lost their lives in WWII. Source.

The opening of the Memorial Room, the museum inside the Tower, is another example of the memorial’s shifting identity. The “room” was originally called the “Muniment Room” and was created as a depository for the university’s war-related records (and was rarely open to visitors). In the 1970s, the room was revitalized as a small museum hosting artifacts and records, and rather than a depository for storing records, the room became a site of displaying and contextualizing items that related to the University and the wars. The museum is still open today, run by the University’s Alumni Committee, staffed by students and community members, and open to any member of the public. The museum may appear “traditional” from a collections viewpoint, as the museum displays portraits and war memorabilia like many other war museums, but the museum allows for a cross-community engagement that is far from traditional.

Interior of the Memorial Room museum. Photo courtesy of Kathy Parks, Soldiers' Tower Administrator.

At 11:00 am members of the University community and the larger Toronto community will gather in front of Soldiers’ Tower amongst veterans and active soldiers to commemorate those lost in war. The Remembrance Day service has been taking place at the tower since 1924, and today the service remains an integral part of the memorial’s identity. Every November the tradition of the Remembrance Day service brings multiple generations and communities together to re-interpret the Tower’s importance and contribute to the evolving history of the Soldiers' Tower at the University of Toronto.

The Memorial Screen after the 2016 Service of Remembrance. Photo courtesy of Amy Intrator.


Join the 2017 Service of Remembrance:

Date: TODAY, November 10th, 2017
Time: 10:15- 11am
Location: Soldiers' Tower, 7 Hart House Circle
(ceremony takes place outside the tower connected to Hart House)

For more information visit the Soldiers' Tower website: https://alumni.utoronto.ca/alumni-networks/shared-interests/soldiers-tower/service-of-remembrance

25 October 2017

HARVEST THE GOOD TIMES: WHAT'S HAPPENING WEDNESDAYS NOVEMBER EDITION

WHAT'S HAPPENING WEDNESDAYS

BY: KELLY MANIKOTH

Hello friends, and welcome to the November edition of What’s Happening Wednesdays! Traditionally, November is the time for harvest, where we reap the goods that were sown during the summer months. After the celebrations of Thanksgiving and Halloween, however, I usually enter hibernation mode. I stay put at home as I grapple with the influx of major papers, projects and presentations, all while preparing for the impending holiday season in December. 

This year, I want to embrace the traditional notion of November, and reap the benefits of living and studying in Toronto.We have yet to face winter’s frigid bite, so the following events will help us take advantage of this warm and sunny autumn. 

1. The Toronto Chocolate Festival  


Looks like heaven to me. Source.
Start November on a sweet note with a month-long – yes – a MONTH LONG festival devoted to chocolate. The Toronto Chocolate Festival , which first took place in 2005, began as a ten-day festival, and eventually turned into a month-long extravaganza. There are multiple venues that hold chocolate-centered events, such as Chocolate Afternoon Tea and the ChocOlympics , with many taking place at the Eglinton Grand. Click here to acquire “Discovery Passport Coupons”, which allow you to try out delicacies from participating pastry shops and chocolatiers. Learn about chocolate, from cocoa to creation, while sampling treats the entire day.

A festival highlight is the Toronto Luxury Chocolate Show, held at the Chocolate Salons in the Toronto Reference Library. A variety of chocolatiers, chocolate artisans and pastry chefs will have samples of their products and special deals for the holiday season. The Salon also features a Chocolate Makers demo stage and draws for chocolate-themed prizes. 

The Toronto Luxury Chocolate Show:
When: Saturday, November 4th: 12:00 pm – 6:00 pm, Sunday, November 5th: 11:00 am – 5:00 pm

Where: Toronto Reference Library, 689 Yonge Street
Cost: $20 tickets, which can be purchased online 

The Toronto Chocolate Festival takes place the entire month of November. To learn about all the events featured this year, visit torontochocolatefestival.com 

2. November Events at the Bata Shoe Museum

Check out some of the great initiatives the Bata Shoe Museum has for the month of November:

Source.

The Warm the Sole Sock Drive
Every year the Bata Shoe Museum throws an annual sock drive, Warm the Sole. Socks are one of least donated items in clothing drives, yet one of the most needed items in shelters, especially as the weather gets colder. Help diminish this need by bringing a new pair of unworn socks to the Bata Shoe Museum’s drive, which takes place throughout the whole month of November. If you bring a pair on Saturday or Sunday, you can visit the museum free that day! There will also be sock-themed crafts for kids throughout the month. For more information, click here.

When: November 1-30

Where: Bata Shoe Museum
327 Bloor St W, Toronto, ON M5S 1W7

Cost: Admission to the gallery is free on Saturday and Sunday with a sock donation

National Film Board Screening at the Bata Shoe Museum: The Road Forward
As part of the National Film Board’s Aabiziingwash (Wide Awake): NFB Indigenous Cinema on Tour in partnership with the National Film Board of Canada, the Bata Shoe Museum presents a special screening of The Road Forward, a musical documentary by Marie Clements that examines the relationship of the Indian Nationalism movement in the 1930's with current First Nations activism.

When: November 22, 7:00 pm – 9:00 pm

Cost: Free! Tickets can be reserved by emailing rsvp@batashoemuseum.ca or by calling 416.979.7799 x 444

3. The 95th Annual Royal Agricultural Winter Fair 


The Best of Bovine. Source.
The Royal Agricultural Fair is celebrating its 95th Anniversary this year! Started by a group of farmers in 1922, the fair was an attempt to showcase the finest of Canadian agriculture after the First World War. It's been an annual event ever since, occurring every November in Toronto.The Royal is now the largest combined indoor agricultural fair and international equestrian competition in the world, featuring the best agriculture, local food and animal shows in the country. 

Enjoy The Royal Horse Show, dog shows, culinary competitions, wine tasting, and shopping. This year, The Royal has a special initiative, A Place to Grow. In partnership with the University of Guelph and the Canada 150 Fund, A Place to Grow is an interactive chronological walk through time that celebrates the past, present and future of agriculture and food in Ontario. 

To learn more about the many other vendors, shows and entertainment featured at The Royal, check out royalfair.org 

When: Friday, November 3- 11,  9:00 am – 9:00 pm, Sunday, November 12,  9:00 am – 6:00 pm

Where: Exhibition Place, Toronto, Ontario M6K 3C3

Cost: $16 Youth (4-17), $20 Senior (65+), $27.50 Adult (18-64), $60 Family Pass (2 Adults / 2 Youth)
Senior Mon,Tue,Wed Special $17.00
Adults After 4pm Mon-Thursday $16.00
Tickets can be purchased online here .

4. JAYU's iAM Gallery Opening


Source.
JAYU is a non-profit arts organization that shares human rights stories through the arts, specifically film and photography. One of JAYU’s initiatives is the iAM Program, which provides photography and storytelling workshops to youth in the community. iAM showcases these works in a rotating exhibition, with 100% of the proceeds going back to the youth participants. This year, JAYU has partnered with the The Native Canadian Centre of Toronto, providing workshops to nine youth from the centre. The pieces created from the workshops explore the theme of reconciliation, and will be displayed along with the youth’s stories in the Daniel Spectrum Centre. The opening takes place on Friday, November 3rd, and the show runs until January 10th, 2017. For more information on the iAM program and opening night, click here .

When: Friday, 3 November 2017, 6:30 pm – 11:00 pm

Where: Daniels Spectrum, 2nd Floor, 585 Dundas Street East, Toronto, ON M5A 2B7

Cost: Free

5. Lest We Forget, Remembrance Day in Toronto
Remembrance Day Memorial on the lawn of Manulife on Bloor St. E. Source.
November is a month dedicated to remembrance. It’s a time to reflect on our freedoms, our right to live under a government of our choice, and the many opportunities this nation provides us. On Saturday, November 11th, the City of Toronto will hold ceremonies in different locations, such as Old City Hall, to recognize and honour the contributions made by those who serve and continue to serve. 
The featured ceremony takes place at Queens Park. The ceremony includes a moment of silence and the laying of wreaths. It can also be streamed online here .

For more information on ceremonies near you, visit Ontario Remembers .

Queen's Park Ontario Veterans' Memorial :
When: Saturday, November 11th , 10:45 am - 12:00 pm
Where: Ontario Veterans' Memorial on the front lawn of Queen’s Park, 111 Wellesley Street West, Toronto

6. The Month of Movember!

Movember
It’s Movember! Men around the country grow out their mustaches during the month of November to raise awareness of male health issues, such as prostate cancer, testicular cancer, and men’s suicide. The Movember Foundation is hosting many events around the city that celebrate this important initiative. Here are a few in Toronto to check out: 

Movember fit-a-thon

Hosted by Centennial College, this event is geared towards students. Participants will be challenged during the evening to keep moving to raise money for men's health, supporting Movember Toronto.

When: November, 17th, 6:00 pm – 12:00 am

Where: Athletic and Wellness and Centre, 941 Progress Avenue, Toronto, ON M4S1C4

Cost: Donation Request. More information can be found on donations here

Muaystache: #PushKickCancer

Back Forward Kick Productions presents Muaystache: #PushKickCancer, an amateur event that supports the Movember Foundation. For more information, visit Muay Thai Ontario

When: November 25th, 5:30 pm – 11:00 pm

Where: Artscape Wychwood Barns, 601 Christie St, Toronto, ON M6G 4C7

Cost: $35 Advance tickets
$45 Door tickets
$55 Front row reserved tickets
This is an all ages event. Children ages 5 and under are admitted free.

Best "MO" in "TO"

This is the perfect opportunity to show of your ‘stache at the end of the month! Organized by emerging professionals of Sport and Event Marketing from George Brown College, the event brings awareness to Men’s Mental Health through a Moustache competition, raffle prizes, games, live music, food and drinks, and a barber who will give you a clean-shaven face after the competition. For more information, click here .

When: November 30th, 7:30 pm to 11:00 pm

Where: 588 Richmond St W, Toronto, ON M5V 1Y9

Cost: The organiser has suggested a $5 donation to help them reach their goal.

For more Movember events, visit movember.com

7. Trinity Bellwoods Christmas is Coming Flea Market

Source.
The holidays are nearly upon us! Rather than dealing with the stress of overcrowded malls, support your local shop vendors this year. The Trinity Bellwoods Christmas is Coming Flea Market is a monthly market that takes place in the beautiful and historic Great Hall. With a mission to buy and sell local, the market features 50 Canadian vendors and designers. It’s the perfect opportunity to find unique gifts or pick up a special something for yourself. To learn about the different vendors, check out the Trinity Bellwoods Website for updates!

When: Sunday, November 19, 2017, 10:00 am – 6:00 pm

Where: The Great Hall, 1087 Queen St. W.M6J 1H3

Cost: Free entry

8. Mozart's Don Giovanni Fall Major Opera Production at the University of Toronto
Don Giovanni in the Champagne Aria scene by Max Slevgot, 1902. Source.
Tired of heading to the movies as your main entertainment outing? Why not explore a new art form and check out an opera put on by U of T’s Faculty of Music! Mozart’s Don Giovanni, based on the legend of Don Juan, is considered a timeless masterpiece. The production is sung in the original Italian and is conducted by Uri Mayer, Professor and Director of Orchestral Studies at the University of Toronto.

When: Thursday, November 23 – Saturday, November 25th, 7:30 pm. Sunday, November 26th, 2:30 pm

Where: MacMillan Theatre, 80 Queen's Park, Toronto, ON M5S 2C5

Cost: $40 regular admission, $25 senior, $10 student. You can purchase tickets here 

9. ROM Daytime - Meet the Vikings 

Source.
The ROM’s newest show, Vikings – The Exhibition presented by Raymond James Ltd, delves into the myths, stereotypes and legends of the Viking Age. Featuring hundreds of objects and immersive activities, the exhibition also explores Canada’s link to Viking history, showcasing archaeological finds from the East Coast.

On November 30th, John Craig Cipolla, the curator for Vikings: The Exhibition, will hold a special talk that reveals how the exhibition came together, highlighting special artifacts to discuss Viking culture and history. For more information, visit ROM DaytimeVikings:The Exhibition, runs from November 4th, 2017 – April 2nd, 2018. 

Meet the Vikings Talk
When:Thursday, November 30, 2017, 11:00 am - 1:15 pm
11:00 am - 12:00 pm Lecture in Eaton Theatre
12:00 pm - 1:00 pm Coffee, Tea & Treats in Theatre Rotunda
12:30 pm - 1:15 pm Exhibition Visit with Introductory Remarks

Where: Royal Ontario Museum, 100 Queens Park, Toronto, ON M5S 2C6
Lecture held in the Eaton Theatre, Level 1B

Cost: Lecture is free with Museum admission. 


Enjoy November just like our little corgi friend! Source.
As a grad student, November is a very hectic time in the semester. However, this year, reap the benefits of your hard work by taking a break and enjoying some of the events taking place in the city, whether that be participating in Movember fundraisers, attending an opera, shopping at markets, or simply savoring some chocolate. If you know of more cool events in the city, feel free to leave a suggestion in the comments section.

Till December, my friends!

10 November 2016

A SYMBOL OF SACRIFICE: REMEMBRANCE AT THE TOWER OF LONDON

THROWBACK THURSDAY

BY: SERENA YPELAAR

We shall not sleep, though poppies grow …” (John McCrae, “In Flanders Fields”, 1915)

Each November, we pin bright red poppies to our lapels to remember the sacrifice of war veterans. Since tomorrow is Remembrance Day, I wanted to look at an example of commemoration in which visual art illustrates the magnitude of loss caused by war.

In summer 2014, one of my favourite historic sites, the Tower of London in England, unveiled a commemorative art project to pay tribute to war veterans. Coinciding with the centenary of Britain’s involvement in World War I, the Tower’s grassy moat was filled with ceramic poppies in a striking visual display. Titled Blood Swept Lands and Seas of Red, the installation was created by artists Paul Cummins and Tom Piper, and remained at the tower between July 17th and November 11th of that year. 

Tower of London moat with red ceramic poppies spilling out and onto the grass.
Blood Swept Lands and Seas of Red, the commemorative art installation at the Tower of London in 2014. Source.
Poppies were added progressively for the duration of the project, increasing in number to show the war’s growing death toll in a wave of red. After the installation was removed, each ceramic poppy was sold to raise money for six charities providing support for veterans.

I was fascinated to see how the poppies illustrated the sheer number of casualties in the First World War alone. A total of 888,246 poppies were placed in the ground by volunteers and represented British and Colonial military fatalities in World War I. When you realize that such a sizable number of fatalities still only accounts for a portion of the lives lost in WWI, the installation puts the reality of the war into perspective. 

Ceramic poppies in the grassy moat of the Tower of London were sold after the project was finished.
In keeping with the poppy campaign's purpose of raising funds for veterans, all of the poppies were sold after the installation was removed from the Tower. Source. 
While I didn’t get to visit the Tower during the commemoration project, I had looked at a number of photographs at the time it was ongoing. An estimated five million people saw the memorial. Seeing this installation span the length of the Tower (which itself is located right on the River Thames in central London) is a testament to the visibility of the project and its accessibility to the public.

I’ve gone back to look at pictures of Blood Swept Lands and Seas of Red numerous times in the last two years – it captured my interest because of its visual impact and historical significance. The symbolism of the poppy brings the public commemoration of WWI to life and fosters shared and personal reflection.

Memorial crosses and poppies stuck in a gate outside the Tower's moat.
Memorial crosses and poppies outside the Tower of London. Public commemorations evoke remembrance and offer a space for personal or shared reflection. Source.
This commemoration of the WWI centenary made me reflect on the enormity of war and the reason we take time each November to reflect. Amidst our busy lives, it’s important to take a moment to look back on elements of our history. Visual commemorations in museums, heritage sites and public spaces offer a gathering place for communities to remember personal and shared experiences - lest we forget. 

Have you seen any visual commemorations that left an impression on you? How did they represent public memory?

11 November 2014

REMEMBRANCE IN MUSEUMS: FIGHTING IN FLANDERS

EXHIBITION REVIEW

BY: MEAGHAN DALBY

Hello Musings Followers,

As I’m sure you are aware, today is Remembrance Day, and lucky for me, things fell into place last week so I could write a blog post appropriate for this day. I was invited to an exhibition opening in Ottawa at the Canadian War Museum (CWM). This exhibition is called Fighting in Flanders: Gas. Mud. Memory., and it tells the story of Canadian soldiers fighting in Belgium during the First World War. So in the spirit of Remembrance Day, I thought I would take this opportunity to reflect on how we remember these events, especially in museums.

Poster for "Fighting in Flanders"
credit: http://www.focus-wtv.be/sites/default/files/styles/article_full/public/canada_0.jpg?itok=dkCSGS5f

First thing’s first: full disclosure. I worked a little bit on this exhibit during the summer, so I MAY not be reviewing it with full impartiality. However, I thought you might forgive me since it turned out to be such a cool exhibit. And yes, if you are going on the Ottawa trip it will still be up so you can form your own opinions.

Melanie Morin-Pelletier, the main historian for the exhibit, giving a speech at the opening
credit: Meaghan Dalby
Ok, down to business. In two sentences, Fighting in Flanders looks at three battles Canadians participated in in Belgium: the Second Battle of Ypres, the Battle of Mount Sorrel, and Passchendaele. Each of these battles introduced a formidable weapon the Allied soldiers had to fight against; the exhibition explains what those were (poison gas at Ypres, firepower at Mount Sorrel, and mud at Passchendaele) and how the soldiers adapted.

There’s a lot I could say in regards to the content of this exhibition, but the best part for me was how they chose to display and disseminate said content. Here are my Top 5 Things To Take Away From Fighting in Flanders:

1. THE TIMELINE OF POPPIES: There are three areas, or zones, in the exhibit, each dedicated to a particular battle, and one zone at the end dedicated to “Memory.” In this section there is a display case that shows how the poppy pin evolved over time, and how its significance changed after the First World War. Of course, part of the reason the poppy was chosen as a symbol of remembrance was because of Canadian John McRae’s poem In Flanders Fields. Not only is it really neat to see how the poppies we wear have changed (or not changed), but I really like how they are mounted on circular pucks, to give some depth to the display. (I thought I had taken a photo, but alas, I did not. So I'm sorry you can't see what I'm talking about)

One of the first poppies worn after the First World War, from the CWM's collection
credit: http://www.warmuseum.ca/cwm/education/toolkit/images/thepoppy/photos/19720228-001.jpg

2. DISPLAY CASES & OBJECT MOUNTS: It is SUPER obvious I’m a nerd? But honestly, I was so impressed with the quality of the cases (repurposed for the most part from past exhibitions, so not brand new, and not spending a ton of money) and the subtlety of the mounts. 

Not the best photo, but you can kind of see how the guns are mounted simply and effectively
credit: Meaghan Dalby
Case for duckboard taken from Passchendaele
credit: Meaghan Dalby
3. THE SMELLING INTERACTIVES: Yes, you read that right: SMELLS people! SMELLS! In the Ypres section, there are canisters containing (non-toxic) aromas of chlorine, mustard, and phosgene gas. Visitors can gain a little bit better understanding of what a gas attack may have been like. I particularly like it because smell is a sense that is often underused in museums and galleries, so the experience is novel for most visitors. There are some other neat interactive features, but this one was my favourite.

Smelling stations for phosgene and mustard gasses
credit: Meaghan Dalby
4. THE LAYOUT: I can attest that this was debated at length. Every curatorial team has to decide how they want the visitor to experience an exhibit: guided or free range. Fighting in Flanders is kind of both. There is a clear chronological order provided by the battles, but the space itself allows the visitor to wander to each section how they want, as opposed to following a very strict guided path. I like that the visitor is given the information of a preferred path, but then is allowed to make their own decisions and guide their own experience.

5. THE OVERAL FEEL: There are floor to ceiling wall graphics, floor to ceiling video footage, large, crisp fonts, big, attention-grabbing artifacts, and a well thought-out story. There is enough information without it being overwhelming, and it is peppered with activities and interactive elements that make it an experience, not just a text book. 

Looking into the Ypres section (the green screen is a gas wall, meant to make the visitor feel
like they're being engulfed in a cloud of gas)
credit: Meaghan Dalby

Intro panel with impressive wall graphics
credit: Meaghan Dalby
Overall, Fighting in Flanders gives us pretty much everything you want in an exhibit. Having the chance to work on it taught me some key things, which I hope to take forward into my career.

More broadly in terms of us as emerging professionals, it is important to remember that interactives and immersive experiences are good, and can enhance learning, but not to use them for the sake of using them. Days like Remembrance Day remind us that the people we display in our exhibits were real humans, and it is an honour to tell their story 100 years later. We don’t want to get caught up in “making a game” of their experience (which, for the record, I don’t think Fighting in Flanders does). There is a delicate balance between being able to engage our visitors and being respectful of the topic, something all exhibition teams must learn to navigate. Museums can be places of memory, and this element must not be put aside for “edutainment.”