Showing posts with label Exhibition Projects. Show all posts
Showing posts with label Exhibition Projects. Show all posts

13 February 2019

FINDING FOODWAYS, PART I.

Research Column | Casarina Hocevar


This semester, I am taking over Musings’ Research Column to share a bit about my personal research and upcoming exhibition project. Ideally, this column will touch upon both the exciting and woeful moments of historical research - from archival photos to tricky translations and many winding paths in-between...and of course, give some insight into a Museum Studies student’s research!


A peek into an archival box from the Ontario Jewish Archives. Photo courtesy of Casarina Hocevar.


Exhibition Project/Research Scope

Last semester, I delved into two intersecting projects. The first is my MMSt exhibition project, Storefront Stories, co-curated with fellow Museum Studies candidates Amy, Evelyn, and Erica, for the Ontario Jewish Archives (OJA). Our project investigates and shares Kensington Market’s Jewish history through the lens of archival storefront photographs. Through the creation of our poster exhibition and website, we aim to explore Jewish life in the Market during the early 20th Century. The exhibition will use the photographs as a springboard into themes about the market’s culture, including intellectual and political life, Jewish foodways, immigration, trade and commerce, and the neighbourhood’s community.





Welcome to the instagram of Ontario Jewish Archives! Over the next couple of months, University of Toronto Museum Studies students, Casarina, Amy, Erica and Evelyn will be posting about the upcoming OJA exhibition, "Storefront Stories." . Since October, we've been busy planning, designing and researching our exhibition about Kensington Market's early Jewish history. The exhibit intends to feature approximately 12 posters with information about the unique stories of past Kensington businesses and Jewish life. . We're delighted to start the next stage of our project this week. We'll be heading into the market to connect with business owners as potential participants in the exhibition. Participating businesses will showcase a poster featuring a photo of their historic storefront and story. . . . Continue to follow us here for exhibition updates and developments. ✨
A post shared by Ontario Jewish Archives (@ontariojewisharchives) on


The second project is a historical investigation of Jewish foodways in Kensington Market. This project began with a research proposal for a history course I took last semester, “The History of Food and Drink,” and has since evolved into an ongoing personal project as a way to bolster my knowledge about Kensington Market, (im)migrant foodways, and local Jewish history. (I will also be sharing some of this research at the upcoming McGill-Queen’s Graduate History Conference in March.) Through compiling, reading and interpreting a combination of primary and secondary sources, I have been slowly noting the early foodways of the Market. Primary sources used are those normally accessed at the OJA or City of Toronto Archives, such as photographs, menus, business directories, newspaper clippings, etc. While the secondary sources available come from a range of fields, including Jewish studies, food studies, geography, diaspora studies, and history.

So...why - and what are - foodways?

While Storefront Stories is not an exhibition about Kensington Market’s Jewish foodways per se, my interest and pursuit of foodways research undeniably connects to the exhibition’s broad themes. Food studies (and more specifically for me, food history) aims to understand how food, and food practices, impacts our lives. This can include both our intimate relationships with food (e.g. how we conceptualize our identities and those of others through food practices) to more public and global food topics, such as the role of restaurants in gentrification, or say the commodification and trade of food items - coffee beans, wheat, or bananas.

“Foodways” refers to more specific practices associated with people in a given place and/or period (e.g. Japanese foodways in the 19th Century, or the foodways of British colonists in India, or Palestinian foodways in the diaspora). So, in the context of my research, by focusing upon Jewish foodways in Kensington Market, I can better contextualize a range of information, including: the popularity of certain types of establishments (e.g. kosher delis), the sensory experience of the Market (what would one smell or taste or hear throughout the Market in the early 20th Century?), and, the role of gender in private and public spaces (who prepared, purchased, and served food goods in the neighbourhood?)... all of which helps to better inform us about life in early Kensington Market.

As the semester progresses, keep your eye out for future posts in this series which will highlight some of my research developments!

31 March 2018

MMSt 2018: EXHIBITION PROJECTS PART III

RESEARCH COLUMN

BY: SERENA YPELAAR

Hello again, and to those who celebrate, Happy Easter weekend! We are back with our final installment of #MMSt2018 project coverage, in which our students tell you all about their theses and exhibitions!

In this edition, we will explore the last batch of exhibitions and projects launching across the city. You know what to do - read about the stories in the group members' own words below!


Mixed Messages: Making and Shaping Culinary Culture in Canada (May 21-August 31, 2018) 
Sadie MacDonald, Cassandra Curtis 
Image used with permission of Rogers Media Inc.,
All rights reserved. 

Location: Thomas Fisher Rare Book Library, 120 St. George Street, University of Toronto

We are curatorial assistants for Mixed Messages, which will display rare cookbooks and culinary objects from the 1820s to the 1960s. Through a combination of traditional object displays, digital media, and public programming, this exhibition will explore the stories of those who participated in - or were excluded from - making and shaping culinary culture in Canada.




ROAM Audio Tours (Project; May 2018) 
Breanna Stephenson 

Location: Toronto

My concept, ROAM Audio Tours, is a start-up e-business aimed at creating unique and accessible museum audio tours. The company will be privately launching its first exclusive tour Crafting Culture: Tools of Humankind through the Age at a Toronto institution this spring. With embedded directional cues and insightful audio, ROAM will invite you to explore museums from a different perspective, fostering new connections between you and collections.

As the founder, I am responsible for several tasks to develop ROAM into a publishable product, such as in this photo where I am pictured revising the tour script before it's recorded. Photo courtesy of Breanna Stephenson. 
Partners: ROAM Audio Tours could not exist without the collaboration of my resource partners. I would like to thank my contacts at MH Studios Toronto, BigServe Graphx, and my web developer Connor McKinnon for all of their amazing support so far.


Snapshots of Change: The Influence of the CNE on Toronto (June 21-September 29, 2018) 
Bretton Weir, Marlee Yule

Kids look at Ferris Wheel, 1962. Photo courtesy of CNE
Archives, Alexandra Studio Fonds, MG5-F770-I3.
Location: Withrow Common, 200 Princes’ Blvd (Canadian National Exhibition), Toronto
Exhibition Hours: Thursdays 1 pm – 5 pm (exhibit will be closed during the CNE – see withrowcommon.ca for details)
Opening Reception: TBD

Our exhibition is a retrospective look at the massive photo collection of the Canadian National Exhibition (CNE). As a historical landmark in our city, we were inspired by the changes to Toronto we have seen reflected in the past 139 years of the CNE. Join us in discovering the past, present, and future influence of Toronto’s hidden neighbourhood!




A Tradition of Giving: Sir Henry Pellatt and The St. George's Society of Toronto (July-August 2018) 
Samantha Eadie, Jennifer Lee, Kathleen Vahey, Serena Ypelaar 

(From left) Serena, Kathleen, Jenny, and Samantha, fundraising
for the exhibition by speaking at the St. George's Society
Christmas Dinner. Photo courtesy of Serena Ypelaar. 
Location: Casa Loma, 1 Austin Terrace, Toronto
Opening Reception: TBD

Our exhibition explores the history of Toronto’s oldest charitable organization, the St. George’s Society of Toronto, and the legacy of notable life member and President, Sir Henry Pellatt. Using archival material, photographs, and historical objects connected to the Society, we will illustrate both its evolution since its inception in 1834 and its lasting legacy in the city.

Partners: The St. George's Society of Toronto; Casa Loma


Mazel Tov! A Celebration of Jewish Weddings and Marriage in Ontario (July 5-August 6, 2018) 
Katie Paolozza, Leore Zecharia 

Leore in the archives at the OJA.
Photo courtesy of Katie Paolozza.
Location: The Gallery at the J, located in the Jacobs Lounge on the main floor of the Miles Nadal Jewish Community Centre, sponsored by the Ontario Jewish Archives
Opening Reception: TBD

Our project combines the joyful chaos of weddings with the social history of Jewish families in Ontario. We've used the traditional steps of Jewish weddings to thematically frame our narrative, inviting our audience to join us on a multi-generational journey through time. Our exhibit uses photographs and engaging ephemera ranging from old advertisements to legal documents to tell the story of how weddings symbolize the hopes and dreams we have for our families.


Doris McCarthy Symposium (Project; November 2018) 
Alexis Moline 

Location: Doris McCarthy Gallery, University of Toronto Scarborough, 1265 Military Trail, Toronto

For my project, I'm working with the Doris McCarthy Gallery to host a symposium offering fresh perspectives on the life and work of Doris McCarthy. I am responsible for research, communication, advertising and organizing the event and will continue to work on this project throughout the year. This symposium will open in conjunction with an exhibition of McCarthy's work in the fall of 2018.

Doris McCarthy, Iceberg with Icicles, 2000. Oil on canvas, 152.4 cm x 213.4 cm. Gift of the artist. Collection of the Doris McCarthy Gallery. 

Looking Back, Going Forward (Project; Date TBD)
Madeleine Long 

My project involves going through a personal archive that belonged to Harlan I. Smith, who was, among other things, an archaeologist and photographer. I'm working on organizing information from the collection so that it can eventually go somewhere where researchers can have easier access.  

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And with that, we're done featuring all of the #MMSt2018 projects. Thank you to every student who spoke about their work, and thanks to you, the readers, for your support. I hope you found this series as insightful and fascinating as I did, and I hope to see you at the opening receptions!

28 March 2018

A BLOOM OF EVENTS: WHAT'S HAPPENING WEDNESDAYS APRIL EDITION

WHAT'S HAPPENING WEDNESDAYS

BY: KELLY MANIKOTH

Hello friends! Welcome to the April edition of What’s Happening Wednesdays! With longer, brighter days and cherry blossoms officially in bloom, April is a month of transition and inspiration. This is especially true for us graduate students, as we embark on our summer internships or prepare for graduation and the career journey that lies ahead of us. This month’s column features events to help us celebrate our well deserved new chapter! I will also highlight MSL4000 exhibition projects taking place in April! For a full list of the openings this year, click here.

1. 4th Annual Corktown Egg Hunt

Source.
The first day of April is also Easter! Celebrate by attending the Corktown Egg Hunt; a massive Easter Egg hunt at the Corktown Common playground which will be fun for children all ages. Featuring a special appearance from the Easter Bunny, there will be free chocolate treats, Redline Coffee, live entertainment & more! Just be sure to BYOB (Bring your own Basket 😉). For more information, contact Socrates@LivingToronto.ca

When: Sunday, April 1st, 2018, 10:00 AM – 12:00 PM. Hunt Starts @ 10:30am. Rain or Shine.

Where: Corktown Common, 155 Bayview Avenue, Toronto, ON

Tickets: This is a free event! You can register here.

2. The Slow Approach: Looking, Drawing and Making Together at the Textile Museum

Symphony of Light: The Universe, U/ Deep Space (1999); tie-dyeing, ink painting, embroidery and gold leaf on silk crepe (chirimen) with gold wefts; 198x139 cm Source.
Enjoy this three-part workshop series which is intended to help you slow down and appreciate the intricacies of Itchiku Kubota’s stunning kimono work. Through activities led by Textile Museum educator Susan Fohr, learn how to observe, sketch, and stitch in the gallery and experience a new way of looking. The workshops are titled Workshop #1: Slow Looking, Workshop #2: Slow Drawing, and Workshop #3: Slow Making. For more information, click here.

When: Workshop #1: Slow Looking, Wednesday April 4, 6-7 PM, Workshop #2: Slow Drawing
Wednesday April 11, 6-7 PM, and Workshop #3: Slow Making Wednesday April 18, 6-7 PM

Where: Textile Museum of Canada, 55 Centre Avenue, Toronto, Ontario, M5G 2H5

Tickets: Free with admission, no advance booking required. All materials will be provided.

3. Toronto Silent Film Festival

Film still from Hamlet. Source.
The Toronto Silent Film Festival's goal is to bring contemporary audiences and silent screen experiences together again. The four day festival features a variety of films from the early days of cinema. This year’s programme aims to show the range of characters played by women in the silent film era. For instance, the first screening in the festival is a German 1921 rendition of Hamlet, where the lead role is played by a woman. This was one of the first times in film that Hamlet was re-imagined as female. For a full list of screenings and locations, click here. 

When: The festival takes place from April 6th – April 9th . Hamlet plays on April 6th, at 7PM

Where: Various locations. Hamlet airs at the Royal Cinema, 608 College St. Toronto

Tickets: Individual Tickets are $15, $11 for students & seniors. Festival packages are also available. Tickets can be purchased here.

4. Ben & Jerry’s Free Cone Day

Source.
Celebrate the warm weather with FREE ice cream! Since 1979, Ben & Jerry’s have made it an annual tradition to give free ice cream away to thank their customers all over the world. So, take a much-needed break from final projects and essays and enjoy a delightfully free sweet treat!

When: Tuesday, April 10, 2018, 12:00 PM – 3:00 PM

Where: Ryerson University, Gould Street

Tickets: Free!

5. Ontario Science Centre: Great Conversation Speaker SeriesCultural Collisions: Science Engagement Through the Arts

Source.
The Ontario Science Centre’s Great Conversation Speaker Series brings global experts to Toronto to foster dialogue on important issues within the scientific community. On April 11th, Michael Hoch, PhD, physicist, artist and founder of art@CMS will give a talk entitled Cultural Collisions: Science Engagement Through the Arts. The lecture discusses the unity between the seemingly disparate subjects of art and science, showcasing how art and creative thinking can make complex scientific issues understandable while maximizing human innovation. Hoch discusses his work with art@CMS, an educational outreach program of the CMS experiment at the Large Hadron Collider, the world’s largest and most powerful particle accelerator at CERN, the European Laboratory for Particle Physics, where both artists and scientists examine particle physics research. For more information, click here.

Moderated by Molly Shoichet, award-winning researcher, science communicator and Ontario’s first Chief Scientist.

When: April 11th, Box office opens at 6 PM., Auditorium doors open at 7 PM., Presentation at 7:30 PM

Where: Imperial Oil Auditorium, Level , 770 Don Mills Rd, North York, ON M3C 1T3

Tickets: $20, $15 for Members, Purchase tickets here.

6. End of Year Museum Studies Celebration!

Source.
Come out and enjoy the End of Year Party hosted by the Exhibition Class! It’s been a whirlwind year, so be sure to celebrate by enjoying a night of food, drinks and fun with your fellow museum buddies! All MMSt and CRO students are welcome! If you have any photos you would like to share in the slideshow, please email them to Kathleen at kathleen.vahey@mail.utoronto.ca. Can’t wait to see everyone there!

When: Thursday, April 12th, 6:00 – 11:00 PM

Where: Hart House Debates Room

Tickets: Free! Please sign up through the Eventbrite page to give an estimate of numbers.

7. Art Gallery of Ontario Massive Illusion

Source.
AGO Massive is a huge annual contemporary art party which is now in its 14th year! This year’s ‘Massive’ is inspired by Yayoi Kusama’s: Infinity Mirrors, with the theme revolving around illusions and tricks of the eye. Guests will experience immersive, larger-than-life installations along with hypnotizing and mystifying performances and music from Toronto’s coolest DJ’s and creators. The event features a plethora of great food and drinks as well. With proceeds helping the gallery’s collection, future exhibitions and audience accessibility, this event is a total must-see! For more information, visit MassiveParty.ca

When: April 19, 9:00 PM – 1:00 AM

Where: Art Gallery of Ontario, 317 Dundas Street West

Tickets: General Admission $175, AGO Members $150 / limit 2 per member: 19+ / ID required . You can purchase tickets here.

8. Earth Day at Toronto Botanical Garden

Source.
Earth Day is an important reminder to care for the planet we call home. Celebrate the occasion at the beautiful Toronto Botanical Garden .There will be a ton of fun events for the entire family! You can help plant in the Teaching Garden, ride the 'blender' bike, make nature crafts and more! Find out more information here.

When: Saturday, April 21, 2018, 12:00 PM - 4:00 PM

Where: Toronto Botanical Gardens. 777 Lawrence Ave E, North York, ONAll activities take place in the Teaching Garden.

Tickets: Free! Registration is recommended. Register here

~* ðŸŒ¸ðŸŒŸApril Exhibition Projects ðŸŒŸðŸŒ¸*~

MSL4000 Exhibition Project Openings in April – Check out the list of ALL the openings here !

Case Studies: A history of physics innovation at the University of Toronto
When: Opening: April 4, 4-6 PM
Where: University of Toronto McLennan Laboratory
Who: Erin Beaubien, Daniel Rose

Made-Up Toronto
When: April 12-May 5, Opening: April 12, 5 PM
Where: Downtown Yonge BIA, Pop-Up Gallery
Who: Jessica Svenningson, Sarah Rolko

Art & Mindfulness
When: April 2018-2019, Opening: April 13, 5-7 PM
Where: University of Toronto, Bissell Building
Who: Tabitha Chan, Kelly Manikoth, Julia Zungri

Temple of Fame: Staging Women's Roles​
When: April 25-June 10, Opening: April 25, 5:30 PM
Where: Aurora Museum & Archives
Who: Kara Isozaki, Maeghan Jerry, Sarah Kelly

Redefining Language in African Art Scholarship
When: April 30
Where: Clara Thomas Archives & Special Collection, York University Libraries, online exhibit
Who: Susan Jama

Source.
This is my last post for Musings ever! 💔 Writing this column truly connected me to Toronto and I'm so grateful to have had the opportunity to experience grad school in such a vibrant and diverse city.
Congratulations MMSt family on completing another academic year, and I hope to see everyone at our Year End Party and the many exhibition openings taking place this month!

25 March 2018

MMSt 2018: EXHIBITION PROJECTS PART II

RESEARCH COLUMN

BY: SERENA YPELAAR

Happy Sunday, readers! It's your friendly neighbourhood Editor-in-Chief again, with another installment of #MMSt2018 exhibition projects for your curious minds. Last weekend you got to hear about the ones that are opening first; this post will follow the same chronological structure and pick up where we left off.

So sit back, relax, and enjoy hearing more about our students' projects!


Temple of Fame: Staging Women's Roles (April 25-June 10, 2018)
Maeghan Jerry, Kara Isozaki, Sarah Kelly

Location: Aurora Museum & Archives, 22 Church Street, Aurora
Opening Reception: April 25th, 2018 5:30 pm - 8:30 pm

A century ago, the women of Aurora produced the Temple of Fame: A Pageant of Famous Women. The play featured historical and fictional female figures vying to be crowned by the Goddess of Fame. Our exhibition explores how the play illuminates the changing roles of women in 1918. Our project is a portion of larger centennial programming, which celebrates local women through a series of community events, including a remount of the play.

1918 production of Temple of Fame. Photo courtesy of the Aurora Museum & Archives.

Redefining Language in African Art Scholarship (April 30, 2018 –) 
Susan Jama
Working at Clara Thomas Archives & Special Collections! Photo courtesy
of Susan Jama. 

Location: Clara Thomas Archives & Special Collection, York University Libraries, Toronto

My digital exhibition, Redefining Language in African Art Scholarship, explores the history of language used to describe African art from colonial to post-colonial era. Redefining Language in African Art Scholarship reveals the transformative shift in African art literature written from the 1900s to 1980s.



Messages from the Mosaic (May 1, 2018 –)
Ellen (Mairead) Murphy, Zhuohua (Nicole) Yang

Location: Canadian Language Museum; messagesfromthemosaic.ca (digital exhibition)

Promotional image for the exhibition. Photo courtesy of
Ellen (Mairead) Murphy.
Our exhibition project is Messages from the Mosaic, a digital exhibition about the languages of Canada. Using text, infographics, and clickable elements, we want to curate a web exhibition that explores the history, trends, and challenges surrounding Canada’s transforming language mosaic. This is a bilingual exhibition (English and French) and will be launched in May 2018.




A Telepathic Book (May 5-15, 2018)
The Broadbent Sisters' Telepathic Book. Photo courtesy of
Broadbent Sisters and Robynne Redgrave, 2017. 
Aurora Cacioppo, Meagan Fillmore 

Location: Black Cat Art Space, 2186 Dundas St W, Toronto
Opening Reception: May 3, 2018, 6 pm (remarks at 7 pm) at Stephen Bulger Gallery, 1356 Dundas St W, Toronto

We are working with the Broadbent Sisters to translate the components of their sculptural photobook into an exhibition for CONTACT Photography Festival. For fourteen days, the artists used meditation to telepathically send and receive images to one another. Afterward, they revealed their photos to one another and found unbelievable connections! Using each day’s images, the artists produced A Telepathic Book, which displays these parallels while promoting meditative practice through its design.

Partners: The Broadbent Sisters


The History of the John Street Roundhouse: 1929 - Present (May 2, 2018 –)
Hannah Monkman, Abebe Mengesha, Alice Norton-Bell

Location: The Toronto Railway Museum, 255 Bremner Boulevard, Stall 17, Toronto
Opening Reception: TBD

Our project is to create a new entryway exhibit in the Toronto Railway Museum, which will set the tone for an upcoming museum-wide redesign. We’re exploring the rich history of Toronto’s rail lands from 1929 to the present day, looking specifically at the John Street Roundhouse where the exhibition will be located. Come learn the story of an area once dedicated to the railway, that’s now a bustling neighbourhood filled with iconic Toronto attractions!

The John Street Roundhouse in 1930. Photo courtesy of
Toronto Public Library Archives.

Anna taping up the exhibition space for Inner Spaces!
Photo courtesy of Kasey Ball. 
Inner Spaces (May 1-31, 2018)Cassy Kist, Anna Kawecka, Kasey Ball

Location: Ontario Science Centre, 770 Don Mills Rd., Toronto
Opening Reception: May 5th, time TBD

Our exhibit provides a brief glimpse under the microscope of research being done across Canada. Displaying images of cellular pathology captured in the lab, we hope to bring awareness to this amazing scientific work.






Collecting Moments: The Photographs of Dr. John E. Ackerman (May 17-June 13, 2018)
Charlotte Gagnier, Sarah Proulx

John E. Ackerman, Men outside Ackerman's Grocery Store ca.
1940s. Ontario Jewish Archives, Blankenstein Family Heritage
Centre, accession 2013-7-13. 
Location: Black Cat Artspace, 2186 Dundas Street West, Toronto
Exhibition Hours: Wednesday to Sunday, 12-7 pm
Opening Reception: May 17, 8-10 pm

Our exhibition consists of photographs reproduced from archival negatives taken by an accomplished amateur photographer, Dr. John E. Ackerman. We are very excited for the opportunity to work with such a rich collection, held by the Ontario Jewish Archives. The best part of fulfilling our role as curators has been looking through this beautiful collection of moments that portray the personal life of Dr. Ackerman as well as life in Toronto in the mid-20th century.


Lost and Found: Rediscovering Fragments of Old Toronto (May 2018-May 2019)
Hannah Hadfield, Tanya McCullough, Leora Bebko

Promotional image for Lost and Found. Photo courtesy of
Leora Bebko, 2018.
Location: Campbell House Museum, 160 Queen St. W., Toronto  
Opening Reception: May 17, 2018 – Panel Discussion from 6-7 pm, Reception from 7-9 pm

Our exhibition will feature six groupings of handcrafted carved stones salvaged by Rosa and Spencer Clark from iconic Toronto buildings in the postwar era. Positioned throughout the Campbell House Museum gardens and juxtaposed against the modern city landscape, we hope that our exhibition will inspire visitors to contemplate the city’s relationship to its heritage and imagine what the city will look like in another 50 years.


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Kudos to all these amazing groups and their fascinating exhibition projects - I'm looking forward to visiting them all. Be sure to check the exhibitions out in person at the openings or beyond! 

18 March 2018

MMSt 2018: EXHIBITION PROJECTS PART I

RESEARCH COLUMN

BY: SERENA YPELAAR

Welcome back to the #MMSt2018 project coverage! Today, we're featuring the first eight exhibition projects my talented colleagues in second year of the program are currently working on.

Each of the 23 exhibition groups in this series kindly agreed to speak about their project. Their exhibitions will open across the city in the next few months. They are listed here in chronological order, starting with Nikita and Amanda, whose exhibition opened last week!


Toronto: The Views are Different Here (March 6-29, 2018)
Nikita Lorenzo-Vicente, Amanda McNeil
The exhibition is on display at the Aird Gallery!
Photo courtesy of Nikita Lorenzo. 
Location: John B. Aird Gallery, 900 Bay Street (at Wellesley), MacDonald Block, Toronto
Opened: March 8, 2018, 6-8pm

Our multimedia exhibition examines Toronto identity through the individual narratives of its people. It strives to display personal thoughts and emotions from a variety of backgrounds within Toronto to unpack the ways in which we think of our city.

Partners: City of Toronto Art Connections Program


Ontario Science Centre Robotics Hot Zone (March 9, 2018 –)
Jessica Baptista, Christopher Shackleton, Napat Malathum, Shannon Crewson
Location: Ontario Science Centre Hot Zone, on Level 6
Opened: March 9, 2018

For our project we worked as co-producers for the Ontario Science Centre’s Hot Zone. Focusing on the topic of robotics, we developed an educational program which allows participants to experience robotics through both hands-on activities and four specific robot stories. The Robotics Hot Zone will be presented daily by the Ontario Science Centre’s hosts.

Team members Christopher and Jessica help with the presentation of INDY - an archaeology robot used to explore tunnels in Egypt and created by Ryerson University's N-CART Lab. Photo courtesy of Napat Malathum.


(From left) Shauna, Emily, and Karley at the Art Museum! 
Photo courtesy of Shauna Taylor, Emilie Albert-Toth, 
and Karley Staskus.
2018 Shelley Peterson Student Art Exhibition (March 23-April 14, 2018) 
Emilie Albert-Toth, Karley Staskus, Shauna Taylor 

Location: Art Museum at the University of Toronto, 15 King's College Circle, Toronto
Opening Reception: March 23, 2018, 7-9 pm

We are currently in the process of installing the SPSAE 2018 and have had the opportunity to handle some amazing artwork and work with some wonderful people. Here’s a picture of us looking cool and casual while discussing In My Dreams by Lisa Veregin. Please come look cool and casual with us on the night of our opening, we’d love to discuss some artwork with you!



Case Studies: A history of physics innovation at the University of Toronto (April 2018 –)
Erin Beaubien, Daniel Rose

Location: McLennan Laboratory Foyer, 60 St. George St., University of Toronto
Opening Reception: April 4th, 2018, 4-6 pm (remarks at 4:30) in the Physics Grad lounge (rm 111, McLennan Physical Laboratories, 60 St. George St.)*

Our project is in partnership with the U of T physics department and the University of Toronto Scientific Instruments Collection (UTSIC). We wanted to use this exhibition as an opportunity to explore the department's history and highlight some stories of invention and innovation that have occurred here. The exhibition features four instruments and processes that were developed or created at the University and the people and history behind them.

To RSVP for the opening reception, please email outreach@physics.utoronto.ca.

University of Toronto Archives. Boris Stoicheff Fonds. B2010-0025/001P(10). 


Collections storage at the Royal Ontario Museum (ROM).
Photo courtesy of Naomi Recollet. 
Reconfiguring the Collection (Project; April 2018)
Naomi Recollet 

Location: Royal Ontario Museum

This project is focused on reconceptualizing and reconfiguring the Northeast and Subarctic material in the First Peoples collection at the ROM. The purpose is to improve the facilitation of research and exhibition planning from scholars, and particularly from members of Indigenous communities. I hope that this reconfiguration will be easier for members of Indigenous communities to access the collections, approach materials, locate object types and identify any future relationships with the collections and the ROM.


Here Emily takes notes regarding the location of the exhibition
and the cases available for the objects. Photo courtesy of Emily
Welsh and Madison Stirling.
Hazel Stuart and the Indigenous Peoples of Papua New Guinea (April 9, 2018) 
Emily Welsh, Madison Stirling

Exhibition Name: Hazel Stuart and the Indigenous Peoples of Papua New Guinea
Location: Department of Anthropology (Third Floor), University of Toronto, 19 Russell St, Toronto

For our exhibition project, we are a producing a permanent display of artifacts and ephemera from the Department of Anthropology’s Hazel Stuart Collection. Hazel Stuart lived and worked in Papua New Guinea from 1973 – 1975 after recently graduating with a Bachelor of Arts in Anthropology from the University of Western Ontario. Our display will examine the study of anthropology, the process of collecting, and the knowledge represented by the Indigenous cultural objects gathered by Hazel Stuart.


Made-Up Toronto features 21 participants from Toronto 
sporting their own makeup looks. Photo courtesy of 
Leeor Wild. 
Made-Up Toronto (TBD) 
Jessica Svenningson, Sarah Rolko

Location: Downtown Yonge BIA Pop-Up Gallery, 385-387 Yonge St., Toronto
Opening Reception: TBD

We came together to work on this project because we both had noticed how little makeup was highlighted in the museum and art gallery world. We collaborated with Downtown Yonge BIA to bring our vision to life by focusing on the makeup culture in Toronto. Our goal with this exhibition is to demonstrate how makeup is a powerful tool for self-expression and expression of cultural identity.



Art & Mindfulness (April 13, 2018-April 2019) 
Julia Zungri, Tabitha Chan, Kelly Manikoth 

Location: Claude T. Bissell Building, University of Toronto
Opening Reception: April 13, 2018, 5-7 pm (remarks at 6pm)

Our exhibition explores the relationship between art, students and mental health. The artists featured in this exhibition use art as a tool for wellness, resilience and mindfulness. As an exhibition curated by students and for students, we hope that showcasing these works will contribute to the destigmatization and awareness of mental health issues on campus. Also featured in this exhibition is the 1000 Words Campaign by the UMatter initiative, and students’ pieces created from the Rethink Recovery workshops.

(From left) Julia, Kelly, and Tabitha while selling bookmarks and postcards as part of their fundraising event in December 2017. They wish to thank everyone who contributed! Photo courtesy of Julia Zungri, Kelly Manikoth, and Tabitha Chan.

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Congratulations to my fellow MMSt students for all you've accomplished! Thanks for sharing your work. I can't wait to attend the exhibition openings. Maybe I'll see you there, dear readers!

16 March 2018

WHO'S IN THE KITCHEN? EXPLORING CANADA'S CULINARY CULTURE AT THE THOMAS FISHER RARE BOOK LIBRARY

A MUSE BOUCHE

BY: JENNIFER LEE

It's exhibition opening season, gentle readers! My colleagues Cassandra Curtis and Sadie MacDonald graciously answered my questions about their project, an upcoming exhibition at the Thomas Fisher Rare Book Library and a banquet of associated programming (both public and digital). Join us to talk about complementary interpretive vehicles, making exclusion visible, and a really, really cool cookbook. 

JL: Hello! Can you describe the project and your specific roles in it?

SM: Our exhibition is entitled Mixed Messages: Making and Shaping Culinary Culture in Canada. We explore Canadian culinary texts, objects, and ephemera with a focus on the individuals and communities who participated in and influenced - or were excluded from - that wider culinary culture.

Image used with permission of Rogers Media Inc., All Rights Reserved.
Cassandra and I are responsible for curating an interactive exhibition in the MacLean Hunter room, the lower gallery/classroom space of the Thomas Fisher. We are also preparing a public program connected to the exhibition at Fort York for Doors Open Toronto 2018.
Officially, Cassandra is in charge of all digital content (such as our exhibition blog, which Cassandra built on Omeka and coordinated content for) and I am coordinating physical content (I researched the culinary print material in the Fisher), but we basically have been working on everything together and jumping in to support each other when needed. As curators we have been working under the direction of Irina Mihalache, Nathalie Cook, and Elizabeth Ridolfo, who are curating the upper gallery space.

Our external partners are the programming team at Fort York. We have been working closely with Bridget Wranich and Jocelyn Kent to develop programming for Doors Open Toronto. 

JL: This is a multifaceted project, using digital content and public programming alongside more traditional exhibition models. How have you found the process of working with so many different interpretive vehicles? How does each enhance the exhibition as a whole?

SM: It has been a bit of a learning curve working with these multiple project components (before this project, neither of us had extensive experience with programming, for example), but Cassandra and I have both been really enjoying the process so far.

Each component - digital, programming, and traditional - has unique qualities that add to the exhibition. For example, this an exhibition that is all about food and cooking, but obviously we can’t have any of that take place in a rare book library space! This is why the Doors Open public program is so valuable; it gives us an opportunity to actively participate in the culinary culture explored in this exhibition, and invite others to do so as well. We will be serving food based on recipes in the exhibition at this event.

A bottle of Crosse and Blackwell curry powder, estimated to be from the Edwardian period. On loan to the Thomas Fisher Rare Book Library from the Collection of Mary Williamson. Photo courtesy of Sadie MacDonald.

The digital content provides an additional way to share the themes and stories of this exhibition with our audiences. There will be an iPad in the gallery that visitors can use to explore culinary texts - not all of which will be explored in detail in the physical gallery displays. The exhibition blog also adds a personal, “behind the scenes” touch to our exhibition, as it is a way for those involved in curating the exhibition to share their experiences bringing the project together.

The digital, programming, and traditional aspects all play into each other and reference each other, but each adds something special to the exhibition using the unique qualities provided by that medium.

CC: It really has been very valuable how multifaceted this project has been for us. I never would have chosen solely a public programming project but I've found it surprisingly fun and engaging to put together!

JL: You mentioned that the exhibition discusses individuals and communities who were excluded from culinary culture, not just those who were visible. It can be difficult to tell these stories when marginalization and erasure affect the material available to us. Has this been an issue for you?


CC: Interesting question! Like a lot of collections, what's absent is what stands out sometimes when it comes to marginalized communities. We've been trying to find a constructive way to talk about the fact that so many of these recipes reference ingredients from these communities without giving them any credit. Then there are some opposite examples too, where a surprising amount of credit is given.

SM: Yes, there is more material out there than one might anticipate. Dr Mihalache and Liz Ridolfo will be discussing Indigenous community cookbooks in the upstairs gallery, for example. And there is one fascinating cookbook, a “crowd-sourced” recipe collection of “Canadian Favourites” organized by the Co-operative Commonwealth Federation (a forerunner party to the NDP) in the 1940s. This book includes a wide variety of recipes from many cultures present in Canada, including Indigenous and immigrant cultures, and more importantly, credits those cultures and the individual who provided each recipe.

However, this is something of an exception. A lot of the cookbooks we look at fail to credit the original cultures, or superficially or erroneously make reference to the recipe’s cultural context (for example, the trend of cookbooks referring to recipes with pineapple in them as “Hawaiian”).

So that in itself provides a way to open this conversation about marginalization - by talking about the gaps and oversights themselves and looking at what they tell us.

Canadian Favourites: CCF Cookbook. Ottawa: CCF National Council, 1947. Collection of the Thomas Fisher Rare Book Library.
JL: Is there an object or story that you've found particularly meaningful or delightful?

CC: For myself I've most enjoyed thinking about these cookbooks in the context of the real women who used them and how much they were asked to do. One of the angles we're looking at this from is the resourcefulness that was demanded of women in terms of domestic work, from angles such as rationing and technology. The feminist in me has been really enjoying doing research about women and domesticity! 

SM: I already mentioned the CCF cookbook, and I think that’s my favourite object because of how surprising it is in the context of this exhibition. While many cookbooks from our period of study (1860-1960) appropriate recipes and fail to credit their cultures of origin, that isn’t the case with this cookbook. There are a few Indigenous recipes provided by the Fisher River Reserve in Manitoba, for example - and they are given credit for it. Recipes from immigrant communities are also credited, and the names of the dish in their original languages are often given as well. It’s a very multicultural cookbook - you can find Chinese and Russian recipes on the same page! Reading this cookbook, which was produced in a political context, one gets the sense that it is attempting to speak to the multicultural make-up of 20th-century Canada.

JL: I'm so excited to see this woke proto-NDP cookbook, I can't even tell you.


Mixed Messages: Making and Shaping Culinary Culture in Canada will open on May 21st at the Thomas Fisher Rare Book Library and run until August 31st. The Doors Open event will take place on May 26th and 27th at Fort York. You can find more information about the exhibition here and read blog posts from Sadie, Cassandra, and other project team members at the exhibition blog.

11 March 2018

MMSt 2018: THESIS PROJECTS

RESEARCH COLUMN

BY: SERENA YPELAAR

Hello Musings readers! This special post is the first in a series of installments featuring the work of the MMSt Class of 2018. This weekend, we're catching up with our brilliant thesis students to see what research they've been working on for their degree. Read on below to hear about their projects!

The​ ​Future​ ​of​ ​the​ ​Past:​ ​Third-Party​ ​Heritage​ ​Preservation​ ​Interventions​ ​and 3D​ ​Printing Technologies
Sydney Stewart Rose

Supervisor: Dr. Cara Krmpotich
Second reader: Dr. Seamus Ross, former Dean of the iSchool

Dry-dusting at work, where I specialize in intellectual property rights and copyright laws (a key aspect of my thesis research). Photo courtesy of Sydney Stewart Rose.
My project examines the use of 3D printing technologies in projects which seek to recreate cultural property destroyed in Syria by ISIS. I was really interested in thinking about the ways these types of projects may create new heritage narratives or potentially contribute to colonizing narratives. I’ve been looking at three high profile cases which use 3D printing technologies to restore cultural property destroyed by ISIS. I’m using them to create a framework to consider how these types of projects may actually contribute to colonizing narratives and offer insight into a decolonizing approach to third-party heritage intervention projects.


Close to Home: Alberta’s Local Museums on Canada’s Cultural Landscape
Kristen McLaughlin 

Supervisor: Dr. Cara Krmpotich
Second reader: Siobhan Stevenson 

I don't really have any photos of myself at work, but for my research I visited each museum, camping along the way to get a better feel for the local landscape. However, as you can see, that meant I didn't really look very glamorous for a few months. Here I am in my first campsite in the Crowsnest Pass in the Rockies of Southern Alberta, with a bit of a smoky background from all the surrounding forest fires of 2017. Photo courtesy of Kristen McLaughlin.
For the past year and a half, I’ve studied the community engagement practices of local museums, using three case studies in Alberta to better understand these distinct contexts. I’m interested in this aspect of museum studies because, as someone who did not grow up with the large urban institutions we are familiar with in this program, I noticed that local museums stories are not common in museum studies literature and work. I felt that it was important to acknowledge and try to understand the relationships between local museums and their communities—both the obstacles and the successes—and what this might mean on a larger scale.

Research possible thanks to the support of the Social Sciences and Humanities Research Council and the Alberta Historical Resources Foundation.


Affective Metadata for Object Experiences in the Art Museum
Erin Canning

Supervisor: Dr. Costis Dallas
Second reader: Dr. Cara Krmpotich

Affective metadata workshop at the 2018 iSchool Student Conference. Photo courtesy of Hannah Monkman.
For my thesis, I am exploring how to structure information about visitor experiences so that we can document it similar to how we catalogue objects – how that information can be made amenable to integration into a database, what that database would look like, and what that information would look like once it was in there. I am interested in the affective experiences that museum visitors have with artworks, and using data modeling as a way to really understand those experiences. My thesis draws together my experience as a CRO: I am applying the information systems design principles from my MI degree in the museum domain. 

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I'm in awe of these three talented MMSt/CRO students and their dedication to such extensive and important research. Excellent job Sydney, Kristen, and Erin - thank you for sharing!

Stay tuned for next weekend's article, where we'll feature the first batch of exhibition projects in the MMSt Class of 2018!